Re-representing “The Great American Institution that Never Gets Mentioned on the Fourth of July”

This article relies on theories of adaptation to analyze Todd Haynes’s 2011 miniseries Mildred Pierce, in the light of its source novel written by James Cain in 1941 and of Curtiz’s 1945 film noir. It explores the way in which the story of an individual woman is representative of women’s collective...

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Bibliographic Details
Main Author: Cristelle Maury
Format: Article
Language:English
Published: Association Française d'Etudes Américaines 2019-05-01
Series:Transatlantica
Subjects:
Online Access:https://journals.openedition.org/transatlantica/9799
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