Shakespearean Drama in Miloš Pietor›S Work: Between Prologue and Epilogue
William Shakespeare’s work has a very specific place in Miloš Pietor’s professional biography: it starts at the beginning of the artist’s creative period and then again at the end of his professional life. The study is devoted to this part of the director’s work. It analyzes the plays Merry Wives of...
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| Format: | Article |
| Language: | English |
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Slovak Academy of Sciences, Institute of Theatre and Film Research of The Art Research Centre
2018-03-01
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| Series: | Slovenské divadlo |
| Online Access: | http://www.degruyter.com/view/j/sd.2018.66.issue-1/sd-2018-0002/sd-2018-0002.xml?format=INT |
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| author | Sládeček Ján |
| author_facet | Sládeček Ján |
| author_sort | Sládeček Ján |
| collection | DOAJ |
| description | William Shakespeare’s work has a very specific place in Miloš Pietor’s professional biography: it starts at the beginning of the artist’s creative period and then again at the end of his professional life. The study is devoted to this part of the director’s work. It analyzes the plays Merry Wives of Windsor (P. Jilemnický Theatre, 1963), Hamlet (Nová scéna Theatre 1974), comedy Love’s Labour’s Lost) (Nová scéna Theatre 1976) and presents the directorial and dramaturgical concept of Pietor’s first production after November 1989, The Merchant of Venice (1991). His planned premiere at the Slovak National Theatre (Slovenské národné divadlo) did not take place; the work was cancelled due to the director’s tragic death. |
| format | Article |
| id | doaj-art-d63b71c9f9db4401bfba2d48c3e58524 |
| institution | DOAJ |
| issn | 1336-8605 |
| language | English |
| publishDate | 2018-03-01 |
| publisher | Slovak Academy of Sciences, Institute of Theatre and Film Research of The Art Research Centre |
| record_format | Article |
| series | Slovenské divadlo |
| spelling | doaj-art-d63b71c9f9db4401bfba2d48c3e585242025-08-20T03:08:01ZengSlovak Academy of Sciences, Institute of Theatre and Film Research of The Art Research CentreSlovenské divadlo1336-86052018-03-01661234010.2478/sd-2018-0002sd-2018-0002Shakespearean Drama in Miloš Pietor›S Work: Between Prologue and EpilogueSládeček Ján0Ústav divadelnej a filmovej vedy Slovenskej akadémie vied, Bratislava (APVV)William Shakespeare’s work has a very specific place in Miloš Pietor’s professional biography: it starts at the beginning of the artist’s creative period and then again at the end of his professional life. The study is devoted to this part of the director’s work. It analyzes the plays Merry Wives of Windsor (P. Jilemnický Theatre, 1963), Hamlet (Nová scéna Theatre 1974), comedy Love’s Labour’s Lost) (Nová scéna Theatre 1976) and presents the directorial and dramaturgical concept of Pietor’s first production after November 1989, The Merchant of Venice (1991). His planned premiere at the Slovak National Theatre (Slovenské národné divadlo) did not take place; the work was cancelled due to the director’s tragic death.http://www.degruyter.com/view/j/sd.2018.66.issue-1/sd-2018-0002/sd-2018-0002.xml?format=INT |
| spellingShingle | Sládeček Ján Shakespearean Drama in Miloš Pietor›S Work: Between Prologue and Epilogue Slovenské divadlo |
| title | Shakespearean Drama in Miloš Pietor›S Work: Between Prologue and Epilogue |
| title_full | Shakespearean Drama in Miloš Pietor›S Work: Between Prologue and Epilogue |
| title_fullStr | Shakespearean Drama in Miloš Pietor›S Work: Between Prologue and Epilogue |
| title_full_unstemmed | Shakespearean Drama in Miloš Pietor›S Work: Between Prologue and Epilogue |
| title_short | Shakespearean Drama in Miloš Pietor›S Work: Between Prologue and Epilogue |
| title_sort | shakespearean drama in milos pietor s work between prologue and epilogue |
| url | http://www.degruyter.com/view/j/sd.2018.66.issue-1/sd-2018-0002/sd-2018-0002.xml?format=INT |
| work_keys_str_mv | AT sladecekjan shakespeareandramainmilospietorsworkbetweenprologueandepilogue |