The Politics of Circularity in Todd Phillips’s Joker (2019)
In the wake of the worldwide box office and critical success of Todd Phillips’s movie Joker (2019) and of the controversies which accompanied its release, this article focuses on the notion of circularity both in the film’s storytelling and its interactions with the viewer, especially through the nu...
Saved in:
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
Association Française d'Etudes Américaines
2020-09-01
|
Series: | Transatlantica |
Subjects: | |
Online Access: | https://journals.openedition.org/transatlantica/14784 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
_version_ | 1832580721265344512 |
---|---|
author | Guillaume Mouleux |
author_facet | Guillaume Mouleux |
author_sort | Guillaume Mouleux |
collection | DOAJ |
description | In the wake of the worldwide box office and critical success of Todd Phillips’s movie Joker (2019) and of the controversies which accompanied its release, this article focuses on the notion of circularity both in the film’s storytelling and its interactions with the viewer, especially through the numerous intertextual references and evocations which are developed on screen. The point of this essay is to establish how circularity allows the film to deliver both macro- and micro-political statements, not only addressing issues relevant to society as a whole but also asserting against all odds the film’s place in the official canon of DC Comics. Paradoxically, the process of circularity also contributes to blur the message, resulting in major misunderstandings and misinterpretations of the film in the public sphere. |
format | Article |
id | doaj-art-d61c2658561c4df3a233919f97cfe4a5 |
institution | Kabale University |
issn | 1765-2766 |
language | English |
publishDate | 2020-09-01 |
publisher | Association Française d'Etudes Américaines |
record_format | Article |
series | Transatlantica |
spelling | doaj-art-d61c2658561c4df3a233919f97cfe4a52025-01-30T10:45:39ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662020-09-01210.4000/transatlantica.14784The Politics of Circularity in Todd Phillips’s Joker (2019)Guillaume MouleuxIn the wake of the worldwide box office and critical success of Todd Phillips’s movie Joker (2019) and of the controversies which accompanied its release, this article focuses on the notion of circularity both in the film’s storytelling and its interactions with the viewer, especially through the numerous intertextual references and evocations which are developed on screen. The point of this essay is to establish how circularity allows the film to deliver both macro- and micro-political statements, not only addressing issues relevant to society as a whole but also asserting against all odds the film’s place in the official canon of DC Comics. Paradoxically, the process of circularity also contributes to blur the message, resulting in major misunderstandings and misinterpretations of the film in the public sphere.https://journals.openedition.org/transatlantica/14784violenceintertextualitycinemacomic book adaptationssocial criticismmacro-politics |
spellingShingle | Guillaume Mouleux The Politics of Circularity in Todd Phillips’s Joker (2019) Transatlantica violence intertextuality cinema comic book adaptations social criticism macro-politics |
title | The Politics of Circularity in Todd Phillips’s Joker (2019) |
title_full | The Politics of Circularity in Todd Phillips’s Joker (2019) |
title_fullStr | The Politics of Circularity in Todd Phillips’s Joker (2019) |
title_full_unstemmed | The Politics of Circularity in Todd Phillips’s Joker (2019) |
title_short | The Politics of Circularity in Todd Phillips’s Joker (2019) |
title_sort | politics of circularity in todd phillips s joker 2019 |
topic | violence intertextuality cinema comic book adaptations social criticism macro-politics |
url | https://journals.openedition.org/transatlantica/14784 |
work_keys_str_mv | AT guillaumemouleux thepoliticsofcircularityintoddphillipssjoker2019 AT guillaumemouleux politicsofcircularityintoddphillipssjoker2019 |