Déclinaisons de la masculinité dans les comédies françaises : le cas Jean Dujardin
This article studies the persona of Jean Dukardin in terms of a crisis of masculinity. We suggest that the persona of an actor is made up of a combination of ‘ordinary’ (gender-, class- and sexuality-related) masculinity and ‘crisis’ masculinity. Apart from Dujardin’s mediatised image, we examine fi...
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| Format: | Article |
| Language: | English |
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Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel
2014-05-01
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| Series: | Mise au Point |
| Subjects: | |
| Online Access: | https://journals.openedition.org/map/1741 |
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| Summary: | This article studies the persona of Jean Dukardin in terms of a crisis of masculinity. We suggest that the persona of an actor is made up of a combination of ‘ordinary’ (gender-, class- and sexuality-related) masculinity and ‘crisis’ masculinity. Apart from Dujardin’s mediatised image, we examine five successful comedies : Brice de Nice (James Huth, 2005) ; OSS 117, Le Caire nid d’espions (Michel Hazanivicius, 2006) ; OSS 117, Rio ne répond plus (Michel Hazanavicius, 2009) ; The Artist (Michel Hazanavicius, 2011) ; Les Infidèles (Emmanuelle Bercot, Fred Cavayé, Alexandre Courtes, Jean Dujardin, Michel Hazanavicius, Eric Lartigau and Gilles Lellouche, 2012). By building a strongly ambivalent masculinity, Dujardin incarnates the tensions between the socio-political assertion of equality between the sexes and the emergence of a reactionary modern masculinity in contemporary French society. |
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| ISSN: | 2261-9623 |