Curating Creative Experimentation: the HyperPavilion at the 57th Venice Biennial
The interview tackles the issue of the relations between art and technology, curation and creation in the digital age. Philippe Riss-Schmidt, the curator of the HyperPavilion presented in the 57th Venice Biennial in 2017, comments on the conception of the exhibition as an experimental immersive spac...
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| Format: | Article |
| Language: | English |
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SAES
2018-04-01
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| Series: | Angles |
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| Online Access: | https://journals.openedition.org/angles/1066 |
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| _version_ | 1849327909175558144 |
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| author | Philippe Riss-Schmidt Anne-Laure Fortin-Tournès |
| author_facet | Philippe Riss-Schmidt Anne-Laure Fortin-Tournès |
| author_sort | Philippe Riss-Schmidt |
| collection | DOAJ |
| description | The interview tackles the issue of the relations between art and technology, curation and creation in the digital age. Philippe Riss-Schmidt, the curator of the HyperPavilion presented in the 57th Venice Biennial in 2017, comments on the conception of the exhibition as an experimental immersive space designed to reflect on the post-biohuman world we are entering, and to offer a critical perspective on how artists confront and challenge the digital revolution. |
| format | Article |
| id | doaj-art-d583a52ff0d045b8b483ab704443ddf6 |
| institution | Kabale University |
| issn | 2274-2042 |
| language | English |
| publishDate | 2018-04-01 |
| publisher | SAES |
| record_format | Article |
| series | Angles |
| spelling | doaj-art-d583a52ff0d045b8b483ab704443ddf62025-08-20T03:47:44ZengSAESAngles2274-20422018-04-01610.4000/angles.1066Curating Creative Experimentation: the HyperPavilion at the 57th Venice BiennialPhilippe Riss-SchmidtAnne-Laure Fortin-TournèsThe interview tackles the issue of the relations between art and technology, curation and creation in the digital age. Philippe Riss-Schmidt, the curator of the HyperPavilion presented in the 57th Venice Biennial in 2017, comments on the conception of the exhibition as an experimental immersive space designed to reflect on the post-biohuman world we are entering, and to offer a critical perspective on how artists confront and challenge the digital revolution.https://journals.openedition.org/angles/1066experimentalcontemporary artdigital exhibitioncurationpost-human art |
| spellingShingle | Philippe Riss-Schmidt Anne-Laure Fortin-Tournès Curating Creative Experimentation: the HyperPavilion at the 57th Venice Biennial Angles experimental contemporary art digital exhibition curation post-human art |
| title | Curating Creative Experimentation: the HyperPavilion at the 57th Venice Biennial |
| title_full | Curating Creative Experimentation: the HyperPavilion at the 57th Venice Biennial |
| title_fullStr | Curating Creative Experimentation: the HyperPavilion at the 57th Venice Biennial |
| title_full_unstemmed | Curating Creative Experimentation: the HyperPavilion at the 57th Venice Biennial |
| title_short | Curating Creative Experimentation: the HyperPavilion at the 57th Venice Biennial |
| title_sort | curating creative experimentation the hyperpavilion at the 57th venice biennial |
| topic | experimental contemporary art digital exhibition curation post-human art |
| url | https://journals.openedition.org/angles/1066 |
| work_keys_str_mv | AT philipperissschmidt curatingcreativeexperimentationthehyperpavilionatthe57thvenicebiennial AT annelaurefortintournes curatingcreativeexperimentationthehyperpavilionatthe57thvenicebiennial |