L’écrivain et le marginal : postures d’auteurs de polar français
During the 1990s, noir fiction changed in France: new collections, new authors, new readers followed the neopolar generation (1970s-1980s). At the same time, the genre acquired new legitimacy, so much so that noir fiction did not seem such a minor kind of fiction. Some writers gave up specialized co...
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| Format: | Article |
| Language: | fra |
| Published: |
Pléiade (EA 7338)
2015-09-01
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| Series: | Itinéraires |
| Subjects: | |
| Online Access: | https://journals.openedition.org/itineraires/2565 |
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| Summary: | During the 1990s, noir fiction changed in France: new collections, new authors, new readers followed the neopolar generation (1970s-1980s). At the same time, the genre acquired new legitimacy, so much so that noir fiction did not seem such a minor kind of fiction. Some writers gave up specialized collections to publish in more prestigious general collections. As a result, many authors hesitated between two positions, two “ethos”: one is the “ethos of the writer,” the other is the “ethos of the dropout” (cf. Meizoz 2004). This choice is reflected both in their statements and in their novels. |
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| ISSN: | 2427-920X |