Entre tempos e história da arte: por um processo de apropriação

In this article is searched to approach time, the history of art and the images of the past that compose it. The process of appropriation is presented as a conceptual alternative, which by the dissemblance provide means to problematize the images. Accordingly, it generates a dialogue with Deleuze an...

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Main Authors: Marilda Oliveira de Oliveira, Carin Cristina Dahmer
Format: Article
Language:deu
Published: Universidade Nove de Julho - Uninove 2017-01-01
Series:EccoS – Revista Científica
Online Access:http://www.redalyc.org/articulo.oa?id=71552463005
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author Marilda Oliveira de Oliveira
Carin Cristina Dahmer
author_facet Marilda Oliveira de Oliveira
Carin Cristina Dahmer
author_sort Marilda Oliveira de Oliveira
collection DOAJ
description In this article is searched to approach time, the history of art and the images of the past that compose it. The process of appropriation is presented as a conceptual alternative, which by the dissemblance provide means to problematize the images. Accordingly, it generates a dialogue with Deleuze and Guattari (2011; 2005), Cherem (2009 ) e Archer (2012), searching pathways or tracks for the dynamic between the debris of the readings and the teaching experiences. Approaching the history of art not by its chronology or linearity, some breaches are sought out between past and present, in between-times that cross themselves. To achieve that, a cartography is used as a methodological possibility to articulate the interposing times in trajectories and teaching experiences with the images of the past. Stands out, as a result of this research the images that surround us as debris orbiting the space-time, and that erupt in fractures and breaches potencializing other senses for the present time.
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institution Kabale University
issn 1517-1949
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language deu
publishDate 2017-01-01
publisher Universidade Nove de Julho - Uninove
record_format Article
series EccoS – Revista Científica
spelling doaj-art-d42bc7a3139846b28bcce0558af999d82025-08-20T03:25:12ZdeuUniversidade Nove de Julho - UninoveEccoS – Revista Científica1517-19491983-92782017-01-01436983Entre tempos e história da arte: por um processo de apropriaçãoMarilda Oliveira de OliveiraCarin Cristina DahmerIn this article is searched to approach time, the history of art and the images of the past that compose it. The process of appropriation is presented as a conceptual alternative, which by the dissemblance provide means to problematize the images. Accordingly, it generates a dialogue with Deleuze and Guattari (2011; 2005), Cherem (2009 ) e Archer (2012), searching pathways or tracks for the dynamic between the debris of the readings and the teaching experiences. Approaching the history of art not by its chronology or linearity, some breaches are sought out between past and present, in between-times that cross themselves. To achieve that, a cartography is used as a methodological possibility to articulate the interposing times in trajectories and teaching experiences with the images of the past. Stands out, as a result of this research the images that surround us as debris orbiting the space-time, and that erupt in fractures and breaches potencializing other senses for the present time.http://www.redalyc.org/articulo.oa?id=71552463005
spellingShingle Marilda Oliveira de Oliveira
Carin Cristina Dahmer
Entre tempos e história da arte: por um processo de apropriação
EccoS – Revista Científica
title Entre tempos e história da arte: por um processo de apropriação
title_full Entre tempos e história da arte: por um processo de apropriação
title_fullStr Entre tempos e história da arte: por um processo de apropriação
title_full_unstemmed Entre tempos e história da arte: por um processo de apropriação
title_short Entre tempos e história da arte: por um processo de apropriação
title_sort entre tempos e historia da arte por um processo de apropriacao
url http://www.redalyc.org/articulo.oa?id=71552463005
work_keys_str_mv AT marildaoliveiradeoliveira entretemposehistoriadaarteporumprocessodeapropriacao
AT carincristinadahmer entretemposehistoriadaarteporumprocessodeapropriacao