Vito Acconci. Spaces of Play
This article offers an investigation of Vito Acconci’s writings and art from the point of view of play, understood as game and performance. Various examples are analyzed, both literary and artistic (early texts, the emblematic Following Piece, which was one of the earliest examples of performance ar...
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| Format: | Article |
| Language: | English |
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Association Française d'Etudes Américaines
2013-12-01
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| Series: | Transatlantica |
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| Online Access: | https://journals.openedition.org/transatlantica/6612 |
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| _version_ | 1832580650067034112 |
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| author | Monica Manolescu |
| author_facet | Monica Manolescu |
| author_sort | Monica Manolescu |
| collection | DOAJ |
| description | This article offers an investigation of Vito Acconci’s writings and art from the point of view of play, understood as game and performance. Various examples are analyzed, both literary and artistic (early texts, the emblematic Following Piece, which was one of the earliest examples of performance art, and The American Gift, combining sound and sculpture in a museum space). Acconci strikes a balance between freedom and constraint, playing with existing models according to set protocols in game-like fashion and offering a constantly renewed artistic practice. |
| format | Article |
| id | doaj-art-d38ebca0e2c642c8bf1df4de2fc28ece |
| institution | Kabale University |
| issn | 1765-2766 |
| language | English |
| publishDate | 2013-12-01 |
| publisher | Association Française d'Etudes Américaines |
| record_format | Article |
| series | Transatlantica |
| spelling | doaj-art-d38ebca0e2c642c8bf1df4de2fc28ece2025-01-30T10:47:48ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662013-12-01210.4000/transatlantica.6612Vito Acconci. Spaces of PlayMonica ManolescuThis article offers an investigation of Vito Acconci’s writings and art from the point of view of play, understood as game and performance. Various examples are analyzed, both literary and artistic (early texts, the emblematic Following Piece, which was one of the earliest examples of performance art, and The American Gift, combining sound and sculpture in a museum space). Acconci strikes a balance between freedom and constraint, playing with existing models according to set protocols in game-like fashion and offering a constantly renewed artistic practice.https://journals.openedition.org/transatlantica/6612Vito Acconciconceptual artperformance artlanguage and materialitygames and playthe spaces of art |
| spellingShingle | Monica Manolescu Vito Acconci. Spaces of Play Transatlantica Vito Acconci conceptual art performance art language and materiality games and play the spaces of art |
| title | Vito Acconci. Spaces of Play |
| title_full | Vito Acconci. Spaces of Play |
| title_fullStr | Vito Acconci. Spaces of Play |
| title_full_unstemmed | Vito Acconci. Spaces of Play |
| title_short | Vito Acconci. Spaces of Play |
| title_sort | vito acconci spaces of play |
| topic | Vito Acconci conceptual art performance art language and materiality games and play the spaces of art |
| url | https://journals.openedition.org/transatlantica/6612 |
| work_keys_str_mv | AT monicamanolescu vitoacconcispacesofplay |