Really Boring Art
There is little question as to whether there is good boring art, though its existence raises a number of questions for both the philosophy of art and the philosophy of emotions. How can boredom ever be a desideratum of art? How can our standing commitments concerning the nature of aesthetic experien...
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| Format: | Article |
| Language: | English |
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Michigan Publishing
2022-12-01
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| Series: | Ergo, An Open Access Journal of Philosophy |
| Online Access: | https://journals.publishing.umich.edu/ergo/article/id/2231/ |
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| _version_ | 1850196632982781952 |
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| author | Andreas Elpidorou John Gibson |
| author_facet | Andreas Elpidorou John Gibson |
| author_sort | Andreas Elpidorou |
| collection | DOAJ |
| description | There is little question as to whether there is good boring art, though its existence raises a number of questions for both the philosophy of art and the philosophy of emotions. How can boredom ever be a desideratum of art? How can our standing commitments concerning the nature of aesthetic experience and artistic value accommodate the existence of boring art? How can being bored constitute an appropriate mode of engagement with a work of art as a work of art? More broadly, how can there be works of art whose very success requires the experience of boredom? Our goal in this paper is threefold. After offering a brief survey of kinds of boring art, we: i) derive a set of questions that we argue constitutes the philosophical problem of boring art; ii) elaborate an empirically informed theory of boredom that furnishes the philosophical problem with a deeper sense of the affect at the heart of the phenomenon; and iii) conclude by offering and defending a solution to the problem that explains why and how artworks might wish to make the experience of boredom key to their aesthetic and artistic success. |
| format | Article |
| id | doaj-art-d24b5e24b6564c5a8ea10431d4bef950 |
| institution | OA Journals |
| issn | 2330-4014 |
| language | English |
| publishDate | 2022-12-01 |
| publisher | Michigan Publishing |
| record_format | Article |
| series | Ergo, An Open Access Journal of Philosophy |
| spelling | doaj-art-d24b5e24b6564c5a8ea10431d4bef9502025-08-20T02:13:24ZengMichigan PublishingErgo, An Open Access Journal of Philosophy2330-40142022-12-018010.3998/ergo.2231Really Boring ArtAndreas Elpidorou0John Gibson1N/AUniversity of LouisvilleThere is little question as to whether there is good boring art, though its existence raises a number of questions for both the philosophy of art and the philosophy of emotions. How can boredom ever be a desideratum of art? How can our standing commitments concerning the nature of aesthetic experience and artistic value accommodate the existence of boring art? How can being bored constitute an appropriate mode of engagement with a work of art as a work of art? More broadly, how can there be works of art whose very success requires the experience of boredom? Our goal in this paper is threefold. After offering a brief survey of kinds of boring art, we: i) derive a set of questions that we argue constitutes the philosophical problem of boring art; ii) elaborate an empirically informed theory of boredom that furnishes the philosophical problem with a deeper sense of the affect at the heart of the phenomenon; and iii) conclude by offering and defending a solution to the problem that explains why and how artworks might wish to make the experience of boredom key to their aesthetic and artistic success.https://journals.publishing.umich.edu/ergo/article/id/2231/ |
| spellingShingle | Andreas Elpidorou John Gibson Really Boring Art Ergo, An Open Access Journal of Philosophy |
| title | Really Boring Art |
| title_full | Really Boring Art |
| title_fullStr | Really Boring Art |
| title_full_unstemmed | Really Boring Art |
| title_short | Really Boring Art |
| title_sort | really boring art |
| url | https://journals.publishing.umich.edu/ergo/article/id/2231/ |
| work_keys_str_mv | AT andreaselpidorou reallyboringart AT johngibson reallyboringart |