Les images animées au Musée de l’histoire de l’immigration, des dispositifs pour le patrimoine immatériel de l’immigration ?
The museum of the history of immigration opened its doors in the Palais de la Porte dorée in 2007, without pre-existent collection. Today, the moving pictures are very present in the permanent exhibition called "Repères", under the shape of photographic movies, archives images, filmed test...
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Conserveries Mémorielles
2014-09-01
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Series: | Conserveries Mémorielles |
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Online Access: | https://journals.openedition.org/cm/1919 |
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author | Marie Caquel |
author_facet | Marie Caquel |
author_sort | Marie Caquel |
collection | DOAJ |
description | The museum of the history of immigration opened its doors in the Palais de la Porte dorée in 2007, without pre-existent collection. Today, the moving pictures are very present in the permanent exhibition called "Repères", under the shape of photographic movies, archives images, filmed testimonies and contemporary artists videos. Describing these devices we want to show that frontiers between disciplines and its approaches to transmit an immaterial heritage are not seals. Above all such an heritage is not obtain by the most expected disciplines (history, sociology), but by a more surprising couple: ethnology and contemporary art. |
format | Article |
id | doaj-art-d1ff90172ef841b9bb95b20559fd8680 |
institution | Kabale University |
issn | 1718-5556 |
language | deu |
publishDate | 2014-09-01 |
publisher | Conserveries Mémorielles |
record_format | Article |
series | Conserveries Mémorielles |
spelling | doaj-art-d1ff90172ef841b9bb95b20559fd86802025-02-05T16:16:44ZdeuConserveries MémoriellesConserveries Mémorielles1718-55562014-09-01Les images animées au Musée de l’histoire de l’immigration, des dispositifs pour le patrimoine immatériel de l’immigration ?Marie CaquelThe museum of the history of immigration opened its doors in the Palais de la Porte dorée in 2007, without pre-existent collection. Today, the moving pictures are very present in the permanent exhibition called "Repères", under the shape of photographic movies, archives images, filmed testimonies and contemporary artists videos. Describing these devices we want to show that frontiers between disciplines and its approaches to transmit an immaterial heritage are not seals. Above all such an heritage is not obtain by the most expected disciplines (history, sociology), but by a more surprising couple: ethnology and contemporary art.https://journals.openedition.org/cm/1919historyimmigrationpicturesvideointangible heritageethnology |
spellingShingle | Marie Caquel Les images animées au Musée de l’histoire de l’immigration, des dispositifs pour le patrimoine immatériel de l’immigration ? Conserveries Mémorielles history immigration pictures video intangible heritage ethnology |
title | Les images animées au Musée de l’histoire de l’immigration, des dispositifs pour le patrimoine immatériel de l’immigration ? |
title_full | Les images animées au Musée de l’histoire de l’immigration, des dispositifs pour le patrimoine immatériel de l’immigration ? |
title_fullStr | Les images animées au Musée de l’histoire de l’immigration, des dispositifs pour le patrimoine immatériel de l’immigration ? |
title_full_unstemmed | Les images animées au Musée de l’histoire de l’immigration, des dispositifs pour le patrimoine immatériel de l’immigration ? |
title_short | Les images animées au Musée de l’histoire de l’immigration, des dispositifs pour le patrimoine immatériel de l’immigration ? |
title_sort | les images animees au musee de l histoire de l immigration des dispositifs pour le patrimoine immateriel de l immigration |
topic | history immigration pictures video intangible heritage ethnology |
url | https://journals.openedition.org/cm/1919 |
work_keys_str_mv | AT mariecaquel lesimagesanimeesaumuseedelhistoiredelimmigrationdesdispositifspourlepatrimoineimmaterieldelimmigration |