Les images animées au Musée de l’histoire de l’immigration, des dispositifs pour le patrimoine immatériel de l’immigration ?

The museum of the history of immigration opened its doors in the Palais de la Porte dorée in 2007, without pre-existent collection. Today, the moving pictures are very present in the permanent exhibition called "Repères", under the shape of photographic movies, archives images, filmed test...

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Main Author: Marie Caquel
Format: Article
Language:deu
Published: Conserveries Mémorielles 2014-09-01
Series:Conserveries Mémorielles
Subjects:
Online Access:https://journals.openedition.org/cm/1919
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author Marie Caquel
author_facet Marie Caquel
author_sort Marie Caquel
collection DOAJ
description The museum of the history of immigration opened its doors in the Palais de la Porte dorée in 2007, without pre-existent collection. Today, the moving pictures are very present in the permanent exhibition called "Repères", under the shape of photographic movies, archives images, filmed testimonies and contemporary artists videos. Describing these devices we want to show that frontiers between disciplines and its approaches to transmit an immaterial heritage are not seals. Above all such an heritage is not obtain by the most expected disciplines (history, sociology), but by a more surprising couple: ethnology and contemporary art.
format Article
id doaj-art-d1ff90172ef841b9bb95b20559fd8680
institution Kabale University
issn 1718-5556
language deu
publishDate 2014-09-01
publisher Conserveries Mémorielles
record_format Article
series Conserveries Mémorielles
spelling doaj-art-d1ff90172ef841b9bb95b20559fd86802025-02-05T16:16:44ZdeuConserveries MémoriellesConserveries Mémorielles1718-55562014-09-01Les images animées au Musée de l’histoire de l’immigration, des dispositifs pour le patrimoine immatériel de l’immigration ?Marie CaquelThe museum of the history of immigration opened its doors in the Palais de la Porte dorée in 2007, without pre-existent collection. Today, the moving pictures are very present in the permanent exhibition called "Repères", under the shape of photographic movies, archives images, filmed testimonies and contemporary artists videos. Describing these devices we want to show that frontiers between disciplines and its approaches to transmit an immaterial heritage are not seals. Above all such an heritage is not obtain by the most expected disciplines (history, sociology), but by a more surprising couple: ethnology and contemporary art.https://journals.openedition.org/cm/1919historyimmigrationpicturesvideointangible heritageethnology
spellingShingle Marie Caquel
Les images animées au Musée de l’histoire de l’immigration, des dispositifs pour le patrimoine immatériel de l’immigration ?
Conserveries Mémorielles
history
immigration
pictures
video
intangible heritage
ethnology
title Les images animées au Musée de l’histoire de l’immigration, des dispositifs pour le patrimoine immatériel de l’immigration ?
title_full Les images animées au Musée de l’histoire de l’immigration, des dispositifs pour le patrimoine immatériel de l’immigration ?
title_fullStr Les images animées au Musée de l’histoire de l’immigration, des dispositifs pour le patrimoine immatériel de l’immigration ?
title_full_unstemmed Les images animées au Musée de l’histoire de l’immigration, des dispositifs pour le patrimoine immatériel de l’immigration ?
title_short Les images animées au Musée de l’histoire de l’immigration, des dispositifs pour le patrimoine immatériel de l’immigration ?
title_sort les images animees au musee de l histoire de l immigration des dispositifs pour le patrimoine immateriel de l immigration
topic history
immigration
pictures
video
intangible heritage
ethnology
url https://journals.openedition.org/cm/1919
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