« Sortez des clichés ! Regard sur des patrimoines vivants »

The UNESCO convention on the intangible cultural heritage introduces a novel redistribution of balance, between researchers and local populations, who cease to be objects of study or potential visitors and become major players. The French federation of eco-museums and museums of society (FEMS) was c...

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Main Author: Valérie Perlès
Format: Article
Language:fra
Published: Ministère de la Culture et de la Communication 2017-11-01
Series:In Situ
Subjects:
Online Access:https://journals.openedition.org/insitu/15616
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author Valérie Perlès
author_facet Valérie Perlès
author_sort Valérie Perlès
collection DOAJ
description The UNESCO convention on the intangible cultural heritage introduces a novel redistribution of balance, between researchers and local populations, who cease to be objects of study or potential visitors and become major players. The French federation of eco-museums and museums of society (FEMS) was curious then to see how these museums, which have always addressed questions of living cultural expressions, of memory and its transmission, are taking advantage of a new tool for heritage protection. Two photographers, Jean-Christophe Bardot and Olivier Pasquiers were commissioned to realise a series of reportages on themes suggested by members of the FEMS network. The project has a documentary ambition, but also aims at producing a sensitive and distanced interpretation, which is neither the museum discourse nor that of the communities concerned. It is a third way, so to speak, where different points of view on the intangible cultural heritage can meet.
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publisher Ministère de la Culture et de la Communication
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spelling doaj-art-d14d68b4fc0c4508868d6efe8b984c572025-08-20T02:20:26ZfraMinistère de la Culture et de la CommunicationIn Situ1630-73052017-11-013310.4000/insitu.15616« Sortez des clichés ! Regard sur des patrimoines vivants »Valérie PerlèsThe UNESCO convention on the intangible cultural heritage introduces a novel redistribution of balance, between researchers and local populations, who cease to be objects of study or potential visitors and become major players. The French federation of eco-museums and museums of society (FEMS) was curious then to see how these museums, which have always addressed questions of living cultural expressions, of memory and its transmission, are taking advantage of a new tool for heritage protection. Two photographers, Jean-Christophe Bardot and Olivier Pasquiers were commissioned to realise a series of reportages on themes suggested by members of the FEMS network. The project has a documentary ambition, but also aims at producing a sensitive and distanced interpretation, which is neither the museum discourse nor that of the communities concerned. It is a third way, so to speak, where different points of view on the intangible cultural heritage can meet.https://journals.openedition.org/insitu/15616documentationphotographyintangible cultural heritagesocial history museum
spellingShingle Valérie Perlès
« Sortez des clichés ! Regard sur des patrimoines vivants »
In Situ
documentation
photography
intangible cultural heritage
social history museum
title « Sortez des clichés ! Regard sur des patrimoines vivants »
title_full « Sortez des clichés ! Regard sur des patrimoines vivants »
title_fullStr « Sortez des clichés ! Regard sur des patrimoines vivants »
title_full_unstemmed « Sortez des clichés ! Regard sur des patrimoines vivants »
title_short « Sortez des clichés ! Regard sur des patrimoines vivants »
title_sort sortez des cliches regard sur des patrimoines vivants
topic documentation
photography
intangible cultural heritage
social history museum
url https://journals.openedition.org/insitu/15616
work_keys_str_mv AT valerieperles sortezdesclichesregardsurdespatrimoinesvivants