Las insistencias de lo real. Escenas de reescritura en narrativas de no ficción argentinas

This article explores the question of rewriting as it is presented in nonfiction narratives, based on a series of Argentine texts that include Rodolfo Walsh's Operación masacre (1957), Tomás Eloy Martínez's La pasión según Trelew (1973) and María Moreno's El petiso orejudo (1994). The...

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Bibliographic Details
Main Author: Victoria García
Format: Article
Language:Spanish
Published: Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata 2024-02-01
Series:Cuadernos LIRICO
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Online Access:https://journals.openedition.org/lirico/14929
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Summary:This article explores the question of rewriting as it is presented in nonfiction narratives, based on a series of Argentine texts that include Rodolfo Walsh's Operación masacre (1957), Tomás Eloy Martínez's La pasión según Trelew (1973) and María Moreno's El petiso orejudo (1994). The review of several scenes of rewriting around these texts allows us to visualize the persistences and transformations of nonfiction as a genre since the second half of the 20th century, but also of rewriting itself as a practice that reconfigures the meanings of writing.
ISSN:2262-8339