Combination Tones in the Model of Central Auditory Processing for Pitch Perception
This work addresses the problem of difficulties in classical interpretation of combination tones as non- linear distortions. One of the basic problems of such an interpretation is to point out the sources of these distortions. Besides, these kinds of distortions have numerous “anomalies” which are...
Saved in:
| Main Author: | Tadeusz ZIĘBAKOWSKI |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Institute of Fundamental Technological Research Polish Academy of Sciences
2013-10-01
|
| Series: | Archives of Acoustics |
| Subjects: | |
| Online Access: | https://acoustics.ippt.pan.pl/index.php/aa/article/view/86 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Absolute Pitch and Its Frequency Range
by: Andrzej RAKOWSKI, et al.
Published: (2013-10-01) -
Identification of Harmonic Musical Intervals: The Effect of Pitch Register and Tone Duration
by: Tomira ROGALA, et al.
Published: (2017-11-01) -
Musical Pitch Perception and Categorization in Listeners with No Musical Training Experience: Insights from Mandarin-Speaking Non-Musicians
by: Jie Liang, et al.
Published: (2024-12-01) -
Pitch Processing of Speech: Comparison of Psychoacoustic and Electrophysiological Data
by: Małgorzata WRZOSEK, et al.
Published: (2013-09-01) -
Pitch Strength of Residual Sounds Estimated Through Chroma Recognition by Absolute-Pitch Possessors
by: Piotr ROGOWSKI, et al.
Published: (2013-11-01)