Pleasing horror: empathic response to suffering and pain in Antique sculpture
Three antique sculptures, the Hanging Marsyas, the Farnese Bull, and the Laocoön, display intense expressions of suffering and pain. Drawing on ancient sources and modern research on embodied simulation and mirror neurons, the article discusses the connection between motion and emotion and the scul...
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| Format: | Article |
| Language: | English |
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University of Oslo Library
2023-12-01
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| Series: | Acta ad Archaeologiam et Artium Historiam Pertinentia |
| Subjects: | |
| Online Access: | https://journals.uio.no/acta/article/view/10488 |
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| author | Bente Kiilerich |
| author_facet | Bente Kiilerich |
| author_sort | Bente Kiilerich |
| collection | DOAJ |
| description |
Three antique sculptures, the Hanging Marsyas, the Farnese Bull, and the Laocoön, display intense expressions of suffering and pain. Drawing on ancient sources and modern research on embodied simulation and mirror neurons, the article discusses the connection between motion and emotion and the sculptures’ impact on emotional reaction and empathic viewer response. Did these works evoke strong feelings, or did they merely incur a light thrill? A concept of interest is phrike (tremor, shivering), an emotion associated with automatic responses to sudden stimuli.
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| format | Article |
| id | doaj-art-cebd06b0918b4d9d81e6413aa343c6bd |
| institution | Kabale University |
| issn | 0065-0900 2611-3686 |
| language | English |
| publishDate | 2023-12-01 |
| publisher | University of Oslo Library |
| record_format | Article |
| series | Acta ad Archaeologiam et Artium Historiam Pertinentia |
| spelling | doaj-art-cebd06b0918b4d9d81e6413aa343c6bd2025-08-20T03:51:59ZengUniversity of Oslo LibraryActa ad Archaeologiam et Artium Historiam Pertinentia0065-09002611-36862023-12-013623 N.S.10.5617/acta.10488Pleasing horror: empathic response to suffering and pain in Antique sculptureBente Kiilerich0University of Bergen Three antique sculptures, the Hanging Marsyas, the Farnese Bull, and the Laocoön, display intense expressions of suffering and pain. Drawing on ancient sources and modern research on embodied simulation and mirror neurons, the article discusses the connection between motion and emotion and the sculptures’ impact on emotional reaction and empathic viewer response. Did these works evoke strong feelings, or did they merely incur a light thrill? A concept of interest is phrike (tremor, shivering), an emotion associated with automatic responses to sudden stimuli. https://journals.uio.no/acta/article/view/10488 Empathy, motion, emotion, embodied simulation, mirror neurons, pain, Hellenistic sculpture, Roman sculpture. |
| spellingShingle | Bente Kiilerich Pleasing horror: empathic response to suffering and pain in Antique sculpture Acta ad Archaeologiam et Artium Historiam Pertinentia Empathy, motion, emotion, embodied simulation, mirror neurons, pain, Hellenistic sculpture, Roman sculpture. |
| title | Pleasing horror: empathic response to suffering and pain in Antique sculpture |
| title_full | Pleasing horror: empathic response to suffering and pain in Antique sculpture |
| title_fullStr | Pleasing horror: empathic response to suffering and pain in Antique sculpture |
| title_full_unstemmed | Pleasing horror: empathic response to suffering and pain in Antique sculpture |
| title_short | Pleasing horror: empathic response to suffering and pain in Antique sculpture |
| title_sort | pleasing horror empathic response to suffering and pain in antique sculpture |
| topic | Empathy, motion, emotion, embodied simulation, mirror neurons, pain, Hellenistic sculpture, Roman sculpture. |
| url | https://journals.uio.no/acta/article/view/10488 |
| work_keys_str_mv | AT bentekiilerich pleasinghorrorempathicresponsetosufferingandpaininantiquesculpture |