We Are Already Ghosts: Reflections on Composition

In this piece, author and critic Kit Dobson discusses and analyzes the composition of his debut novel, We Are Already Ghosts (University of Calgary Press, 2024). He analyzes the novel along at least three axes: first, as a novel that can be classified as a character-driven “summer read”; second, as...

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Main Author: Kit Dobson
Format: Article
Language:English
Published: Ediciones Universidad de Salamanca 2025-01-01
Series:Canada and Beyond
Subjects:
Online Access:https://revistas.usal.es/dos/index.php/2254-1179/article/view/31604
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author Kit Dobson
author_facet Kit Dobson
author_sort Kit Dobson
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description In this piece, author and critic Kit Dobson discusses and analyzes the composition of his debut novel, We Are Already Ghosts (University of Calgary Press, 2024). He analyzes the novel along at least three axes: first, as a novel that can be classified as a character-driven “summer read”; second, as a work of experimental fiction; and, third, as a text that analyzes and interrogates the spaces that make up the Canadian province of Alberta. Dobson notes influences on the novel from Virginia Woolf’s To the Lighthouse; to the poetics of bpNichol; to the tension between settler and Indigenous understandings of land, territory, haunting, and presence. Throughout, Dobson notes that the time in which the novel is set, between 1996 and 2011, marks a period of transition for the Briscoe-MacDougall family members who populate the book, and for the world and society that these characters represent.
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spelling doaj-art-ce3f60e3dbea4c628b2dd6a5ddf0eb612025-02-07T08:51:16ZengEdiciones Universidad de SalamancaCanada and Beyond2254-11792025-01-011416317410.14201/candb.v14i163-17437073We Are Already Ghosts: Reflections on CompositionKit Dobson0https://orcid.org/0000-0003-1667-9946University of CalgaryIn this piece, author and critic Kit Dobson discusses and analyzes the composition of his debut novel, We Are Already Ghosts (University of Calgary Press, 2024). He analyzes the novel along at least three axes: first, as a novel that can be classified as a character-driven “summer read”; second, as a work of experimental fiction; and, third, as a text that analyzes and interrogates the spaces that make up the Canadian province of Alberta. Dobson notes influences on the novel from Virginia Woolf’s To the Lighthouse; to the poetics of bpNichol; to the tension between settler and Indigenous understandings of land, territory, haunting, and presence. Throughout, Dobson notes that the time in which the novel is set, between 1996 and 2011, marks a period of transition for the Briscoe-MacDougall family members who populate the book, and for the world and society that these characters represent.https://revistas.usal.es/dos/index.php/2254-1179/article/view/31604we are already ghostsvirginia woolfbpnichol settler and indigenous understandings of land
spellingShingle Kit Dobson
We Are Already Ghosts: Reflections on Composition
Canada and Beyond
we are already ghosts
virginia woolf
bpnichol
settler and indigenous understandings of land
title We Are Already Ghosts: Reflections on Composition
title_full We Are Already Ghosts: Reflections on Composition
title_fullStr We Are Already Ghosts: Reflections on Composition
title_full_unstemmed We Are Already Ghosts: Reflections on Composition
title_short We Are Already Ghosts: Reflections on Composition
title_sort we are already ghosts reflections on composition
topic we are already ghosts
virginia woolf
bpnichol
settler and indigenous understandings of land
url https://revistas.usal.es/dos/index.php/2254-1179/article/view/31604
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