Three Approaches toward Historiography: The French Lieutenant’s Woman, Possession, and Waterland

Critics have widely explored John Fowles’ The French Lieutenant’s Woman, Graham Swift’s Waterland, and A. S. Byatt’s Possession. These novels are generally treated as outstanding historiographic metafictions since they self-consciously adopt the notion of history and simultaneously problematize hist...

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Main Authors: Fariba NoorBakhsh, Fazel Asadi Amjad
Format: Article
Language:English
Published: University of Zadar 2016-12-01
Series:[sic]
Online Access:http://www.sic-journal.org/ArticleView.aspx?aid=414
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author Fariba NoorBakhsh
Fazel Asadi Amjad
author_facet Fariba NoorBakhsh
Fazel Asadi Amjad
author_sort Fariba NoorBakhsh
collection DOAJ
description Critics have widely explored John Fowles’ The French Lieutenant’s Woman, Graham Swift’s Waterland, and A. S. Byatt’s Possession. These novels are generally treated as outstanding historiographic metafictions since they self-consciously adopt the notion of history and simultaneously problematize historical understanding. For Hayden White, the historian is inevitably impositional and every narrativized history is relative. Following White, Linda Hutcheon defines postmodern historical fiction as the type of fiction that self-reflexively and paradoxically makes use of the notion of history and simultaneously denies its truthfulness. The present article attempts to analyze, compare, and contrast John Fowles’ The French Lieutenant’s Woman, Graham Swift’s Waterland and A. S. Byatt’s Possession: A Romance in light of the theories of White and Hutcheon to show that in spite of problematization of the possibility of recovering the past as it actually was, these novels treat the concept of history differently.
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spelling doaj-art-cdf6dd33af4a42ea8dbb62cf9e5dd31a2025-08-20T03:23:24ZengUniversity of Zadar[sic]1847-77552016-12-017110.15291/sic/1.7.lc.2414Three Approaches toward Historiography: The French Lieutenant’s Woman, Possession, and WaterlandFariba NoorBakhshFazel Asadi AmjadCritics have widely explored John Fowles’ The French Lieutenant’s Woman, Graham Swift’s Waterland, and A. S. Byatt’s Possession. These novels are generally treated as outstanding historiographic metafictions since they self-consciously adopt the notion of history and simultaneously problematize historical understanding. For Hayden White, the historian is inevitably impositional and every narrativized history is relative. Following White, Linda Hutcheon defines postmodern historical fiction as the type of fiction that self-reflexively and paradoxically makes use of the notion of history and simultaneously denies its truthfulness. The present article attempts to analyze, compare, and contrast John Fowles’ The French Lieutenant’s Woman, Graham Swift’s Waterland and A. S. Byatt’s Possession: A Romance in light of the theories of White and Hutcheon to show that in spite of problematization of the possibility of recovering the past as it actually was, these novels treat the concept of history differently.http://www.sic-journal.org/ArticleView.aspx?aid=414
spellingShingle Fariba NoorBakhsh
Fazel Asadi Amjad
Three Approaches toward Historiography: The French Lieutenant’s Woman, Possession, and Waterland
[sic]
title Three Approaches toward Historiography: The French Lieutenant’s Woman, Possession, and Waterland
title_full Three Approaches toward Historiography: The French Lieutenant’s Woman, Possession, and Waterland
title_fullStr Three Approaches toward Historiography: The French Lieutenant’s Woman, Possession, and Waterland
title_full_unstemmed Three Approaches toward Historiography: The French Lieutenant’s Woman, Possession, and Waterland
title_short Three Approaches toward Historiography: The French Lieutenant’s Woman, Possession, and Waterland
title_sort three approaches toward historiography the french lieutenant s woman possession and waterland
url http://www.sic-journal.org/ArticleView.aspx?aid=414
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