Puentes de poesía entre el interior y el exilio
The links between the inner and exile cultures are a key to interpreting Spanish literary and cultural history since 1939. This paper sets an analysis of the metaphoric concept of bridge as an image that idealises the relations between the two sectors that Francoist dictatorship split. It specifical...
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| Format: | Article |
| Language: | Spanish |
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Casa de Velázquez
2022-04-01
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| Series: | Mélanges de la Casa de Velázquez |
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| Online Access: | https://journals.openedition.org/mcv/16413 |
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| _version_ | 1849705200435068928 |
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| author | Fernando Larraz |
| author_facet | Fernando Larraz |
| author_sort | Fernando Larraz |
| collection | DOAJ |
| description | The links between the inner and exile cultures are a key to interpreting Spanish literary and cultural history since 1939. This paper sets an analysis of the metaphoric concept of bridge as an image that idealises the relations between the two sectors that Francoist dictatorship split. It specifically criticises that these bridges have been interpreted as an incontrovertible fact rather than a horizon and have been used to minimise the damage which dictatorship caused on culture. In order to exemplify this criticism, the failure of two paradigmatic projects of bridges between inside and exile are examined: the anthology Panorama de la poesía moderna española (1953) and the journal Mairena (1953-1954), both published in Argentina by Enrique Azcoaga. |
| format | Article |
| id | doaj-art-cd18fa136a04405db1b3b156b739a23e |
| institution | DOAJ |
| issn | 0076-230X 2173-1306 |
| language | Spanish |
| publishDate | 2022-04-01 |
| publisher | Casa de Velázquez |
| record_format | Article |
| series | Mélanges de la Casa de Velázquez |
| spelling | doaj-art-cd18fa136a04405db1b3b156b739a23e2025-08-20T03:16:32ZspaCasa de VelázquezMélanges de la Casa de Velázquez0076-230X2173-13062022-04-0152110.4000/mcv.16413Puentes de poesía entre el interior y el exilioFernando LarrazThe links between the inner and exile cultures are a key to interpreting Spanish literary and cultural history since 1939. This paper sets an analysis of the metaphoric concept of bridge as an image that idealises the relations between the two sectors that Francoist dictatorship split. It specifically criticises that these bridges have been interpreted as an incontrovertible fact rather than a horizon and have been used to minimise the damage which dictatorship caused on culture. In order to exemplify this criticism, the failure of two paradigmatic projects of bridges between inside and exile are examined: the anthology Panorama de la poesía moderna española (1953) and the journal Mairena (1953-1954), both published in Argentina by Enrique Azcoaga.https://journals.openedition.org/mcv/16413CensorshipAnthologiesAntonio MachadoLosadaJournalsCultural Transfers |
| spellingShingle | Fernando Larraz Puentes de poesía entre el interior y el exilio Mélanges de la Casa de Velázquez Censorship Anthologies Antonio Machado Losada Journals Cultural Transfers |
| title | Puentes de poesía entre el interior y el exilio |
| title_full | Puentes de poesía entre el interior y el exilio |
| title_fullStr | Puentes de poesía entre el interior y el exilio |
| title_full_unstemmed | Puentes de poesía entre el interior y el exilio |
| title_short | Puentes de poesía entre el interior y el exilio |
| title_sort | puentes de poesia entre el interior y el exilio |
| topic | Censorship Anthologies Antonio Machado Losada Journals Cultural Transfers |
| url | https://journals.openedition.org/mcv/16413 |
| work_keys_str_mv | AT fernandolarraz puentesdepoesiaentreelinterioryelexilio |