Puentes de poesía entre el interior y el exilio

The links between the inner and exile cultures are a key to interpreting Spanish literary and cultural history since 1939. This paper sets an analysis of the metaphoric concept of bridge as an image that idealises the relations between the two sectors that Francoist dictatorship split. It specifical...

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Main Author: Fernando Larraz
Format: Article
Language:Spanish
Published: Casa de Velázquez 2022-04-01
Series:Mélanges de la Casa de Velázquez
Subjects:
Online Access:https://journals.openedition.org/mcv/16413
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author Fernando Larraz
author_facet Fernando Larraz
author_sort Fernando Larraz
collection DOAJ
description The links between the inner and exile cultures are a key to interpreting Spanish literary and cultural history since 1939. This paper sets an analysis of the metaphoric concept of bridge as an image that idealises the relations between the two sectors that Francoist dictatorship split. It specifically criticises that these bridges have been interpreted as an incontrovertible fact rather than a horizon and have been used to minimise the damage which dictatorship caused on culture. In order to exemplify this criticism, the failure of two paradigmatic projects of bridges between inside and exile are examined: the anthology Panorama de la poesía moderna española (1953) and the journal Mairena (1953-1954), both published in Argentina by Enrique Azcoaga.
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series Mélanges de la Casa de Velázquez
spelling doaj-art-cd18fa136a04405db1b3b156b739a23e2025-08-20T03:16:32ZspaCasa de VelázquezMélanges de la Casa de Velázquez0076-230X2173-13062022-04-0152110.4000/mcv.16413Puentes de poesía entre el interior y el exilioFernando LarrazThe links between the inner and exile cultures are a key to interpreting Spanish literary and cultural history since 1939. This paper sets an analysis of the metaphoric concept of bridge as an image that idealises the relations between the two sectors that Francoist dictatorship split. It specifically criticises that these bridges have been interpreted as an incontrovertible fact rather than a horizon and have been used to minimise the damage which dictatorship caused on culture. In order to exemplify this criticism, the failure of two paradigmatic projects of bridges between inside and exile are examined: the anthology Panorama de la poesía moderna española (1953) and the journal Mairena (1953-1954), both published in Argentina by Enrique Azcoaga.https://journals.openedition.org/mcv/16413CensorshipAnthologiesAntonio MachadoLosadaJournalsCultural Transfers
spellingShingle Fernando Larraz
Puentes de poesía entre el interior y el exilio
Mélanges de la Casa de Velázquez
Censorship
Anthologies
Antonio Machado
Losada
Journals
Cultural Transfers
title Puentes de poesía entre el interior y el exilio
title_full Puentes de poesía entre el interior y el exilio
title_fullStr Puentes de poesía entre el interior y el exilio
title_full_unstemmed Puentes de poesía entre el interior y el exilio
title_short Puentes de poesía entre el interior y el exilio
title_sort puentes de poesia entre el interior y el exilio
topic Censorship
Anthologies
Antonio Machado
Losada
Journals
Cultural Transfers
url https://journals.openedition.org/mcv/16413
work_keys_str_mv AT fernandolarraz puentesdepoesiaentreelinterioryelexilio