Susan swan and the female grotesque
Introduced to readers as “the tallest woman freelance writer in Canada”, Susan Swan belongs to a generation of writers whose experimental, innovative fiction has proved vital in the contemporary project of de/re/constructing narrative practice. Her 1983 novel The Biggest Modern Woman of the World c...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Universidade Federal de Santa Catarina
1994-01-01
|
| Series: | Ilha do Desterro |
| Online Access: | https://periodicos.ufsc.br/index.php/desterro/article/view/11711 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1850277378891186176 |
|---|---|
| author | Suzana Bornéo Funck |
| author_facet | Suzana Bornéo Funck |
| author_sort | Suzana Bornéo Funck |
| collection | DOAJ |
| description | Introduced to readers as “the tallest woman freelance writer in
Canada”, Susan Swan belongs to a generation of writers whose experimental, innovative fiction has proved vital in the contemporary project of de/re/constructing narrative practice. Her 1983 novel The Biggest Modern Woman of the World constitutes an excellent example of what critic Linda Hutcheon has termed “historiographic metafiction”—”fiction that is intensely, self-reflexively art, but is also grounded in historical, social, and political realities” (Canadian 13). As
a conscious engagement with social and historical contexts, such fiction aims at destabilizing and subverting accepted patterns of belief by reconceptualizing and narrating possible subjectivities. By means of intertextuality, especially parody, it engages in an ideological critique in terms of both sexual and national politics. |
| format | Article |
| id | doaj-art-cc51ddd122f04e069bbd0709ce887358 |
| institution | OA Journals |
| issn | 0101-4846 2175-8026 |
| language | English |
| publishDate | 1994-01-01 |
| publisher | Universidade Federal de Santa Catarina |
| record_format | Article |
| series | Ilha do Desterro |
| spelling | doaj-art-cc51ddd122f04e069bbd0709ce8873582025-08-20T01:49:54ZengUniversidade Federal de Santa CatarinaIlha do Desterro0101-48462175-80261994-01-0131Susan swan and the female grotesqueSuzana Bornéo Funck0Universidade Católica de PelotasIntroduced to readers as “the tallest woman freelance writer in Canada”, Susan Swan belongs to a generation of writers whose experimental, innovative fiction has proved vital in the contemporary project of de/re/constructing narrative practice. Her 1983 novel The Biggest Modern Woman of the World constitutes an excellent example of what critic Linda Hutcheon has termed “historiographic metafiction”—”fiction that is intensely, self-reflexively art, but is also grounded in historical, social, and political realities” (Canadian 13). As a conscious engagement with social and historical contexts, such fiction aims at destabilizing and subverting accepted patterns of belief by reconceptualizing and narrating possible subjectivities. By means of intertextuality, especially parody, it engages in an ideological critique in terms of both sexual and national politics.https://periodicos.ufsc.br/index.php/desterro/article/view/11711 |
| spellingShingle | Suzana Bornéo Funck Susan swan and the female grotesque Ilha do Desterro |
| title | Susan swan and the female grotesque |
| title_full | Susan swan and the female grotesque |
| title_fullStr | Susan swan and the female grotesque |
| title_full_unstemmed | Susan swan and the female grotesque |
| title_short | Susan swan and the female grotesque |
| title_sort | susan swan and the female grotesque |
| url | https://periodicos.ufsc.br/index.php/desterro/article/view/11711 |
| work_keys_str_mv | AT suzanaborneofunck susanswanandthefemalegrotesque |