The Line that Divides us:
A common factor among white people is the denial that they are racialized subjects, so that they use white fragility and innocence as strategies to protect and enjoy privilege and racial superiority. By the other hand, decolonial art is made up of a set of works that aim to separate the artistic pr...
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| Format: | Article |
| Language: | English |
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Universidade Federal do Rio Grande do Sul
2025-04-01
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| Series: | Revista Brasileira de Estudos da Presença |
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| Online Access: | https://seer.ufrgs.br/index.php/educacaoerealidade;www.scielo.br/index.php/presenca/article/view/147127 |
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| author | Amanda Cunha |
| author_facet | Amanda Cunha |
| author_sort | Amanda Cunha |
| collection | DOAJ |
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A common factor among white people is the denial that they are racialized subjects, so that they use white fragility and innocence as strategies to protect and enjoy privilege and racial superiority. By the other hand, decolonial art is made up of a set of works that aim to separate the artistic production of non-Europeans and non-whites from a supposed position of inferiority based on coloniality. Thus, this research sought to understand how black theater, understood from this decolonial perspective, provides white Brazilian and Portuguese spectators with a racializing experience. The results allowed us to explore shared understandings about white identity, contributing to understanding the process of racialization of white spectators.
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| format | Article |
| id | doaj-art-cb93ff7fffba4201b888b66b6e9e4a2c |
| institution | Kabale University |
| issn | 2237-2660 |
| language | English |
| publishDate | 2025-04-01 |
| publisher | Universidade Federal do Rio Grande do Sul |
| record_format | Article |
| series | Revista Brasileira de Estudos da Presença |
| spelling | doaj-art-cb93ff7fffba4201b888b66b6e9e4a2c2025-08-20T03:52:24ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602025-04-01151The Line that Divides us:Amanda Cunha0Universidade do Minho - UM A common factor among white people is the denial that they are racialized subjects, so that they use white fragility and innocence as strategies to protect and enjoy privilege and racial superiority. By the other hand, decolonial art is made up of a set of works that aim to separate the artistic production of non-Europeans and non-whites from a supposed position of inferiority based on coloniality. Thus, this research sought to understand how black theater, understood from this decolonial perspective, provides white Brazilian and Portuguese spectators with a racializing experience. The results allowed us to explore shared understandings about white identity, contributing to understanding the process of racialization of white spectators. https://seer.ufrgs.br/index.php/educacaoerealidade;www.scielo.br/index.php/presenca/article/view/147127Decolonial ArtWhitenessSpectatorBlack Theater |
| spellingShingle | Amanda Cunha The Line that Divides us: Revista Brasileira de Estudos da Presença Decolonial Art Whiteness Spectator Black Theater |
| title | The Line that Divides us: |
| title_full | The Line that Divides us: |
| title_fullStr | The Line that Divides us: |
| title_full_unstemmed | The Line that Divides us: |
| title_short | The Line that Divides us: |
| title_sort | line that divides us |
| topic | Decolonial Art Whiteness Spectator Black Theater |
| url | https://seer.ufrgs.br/index.php/educacaoerealidade;www.scielo.br/index.php/presenca/article/view/147127 |
| work_keys_str_mv | AT amandacunha thelinethatdividesus AT amandacunha linethatdividesus |