Imagology and iconotextual dialogues : Portuguese culture in Tabucchi's microfiction

Narrators who build fictionalised interpretations of different environments and figures of Portuguese culture are presented in the works by Antonio Tabucchi Mulher de Porto Pim, Viagens e outras viagens and Racconti com figure. Based on both imagology theorisation and cosmopolitanism, various aspect...

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Main Author: Maria João Simões
Format: Article
Language:Catalan
Published: Masaryk University 2025-06-01
Series:Études romanes de Brno
Subjects:
Online Access:https://journals.phil.muni.cz/erb/article/view/41424
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author Maria João Simões
author_facet Maria João Simões
author_sort Maria João Simões
collection DOAJ
description Narrators who build fictionalised interpretations of different environments and figures of Portuguese culture are presented in the works by Antonio Tabucchi Mulher de Porto Pim, Viagens e outras viagens and Racconti com figure. Based on both imagology theorisation and cosmopolitanism, various aspects of Tabucchi's fictionalisation of the images and figures he uses will be considered. Tabucchi's point of view is characterized by overlapping simultaneous belongings, already visible in his lusophilia, however, his miscegenized point of view only acquires this property because his curiosity of the other makes him a citizen of the world. Tabucchi's peculiar points of view become evident when he recreates and interprets visions of Portuguese painters and writers. An analysis will be made of the resources chosen by the author to transmit to the reader the imagetic crossroads that he felt, the purpose being to distinguish among several variations and aspects used by the author.
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spelling doaj-art-cb2bd5f259fe4ff7b7c04fae6a22361f2025-08-20T02:45:41ZcatMasaryk UniversityÉtudes romanes de Brno2336-44162025-06-0146110.5817/ERB2025-1-15Imagology and iconotextual dialogues : Portuguese culture in Tabucchi's microfictionMaria João SimõesNarrators who build fictionalised interpretations of different environments and figures of Portuguese culture are presented in the works by Antonio Tabucchi Mulher de Porto Pim, Viagens e outras viagens and Racconti com figure. Based on both imagology theorisation and cosmopolitanism, various aspects of Tabucchi's fictionalisation of the images and figures he uses will be considered. Tabucchi's point of view is characterized by overlapping simultaneous belongings, already visible in his lusophilia, however, his miscegenized point of view only acquires this property because his curiosity of the other makes him a citizen of the world. Tabucchi's peculiar points of view become evident when he recreates and interprets visions of Portuguese painters and writers. An analysis will be made of the resources chosen by the author to transmit to the reader the imagetic crossroads that he felt, the purpose being to distinguish among several variations and aspects used by the author.https://journals.phil.muni.cz/erb/article/view/41424imagologyekphrasisiconotexttransnationalismTabucchi
spellingShingle Maria João Simões
Imagology and iconotextual dialogues : Portuguese culture in Tabucchi's microfiction
Études romanes de Brno
imagology
ekphrasis
iconotext
transnationalism
Tabucchi
title Imagology and iconotextual dialogues : Portuguese culture in Tabucchi's microfiction
title_full Imagology and iconotextual dialogues : Portuguese culture in Tabucchi's microfiction
title_fullStr Imagology and iconotextual dialogues : Portuguese culture in Tabucchi's microfiction
title_full_unstemmed Imagology and iconotextual dialogues : Portuguese culture in Tabucchi's microfiction
title_short Imagology and iconotextual dialogues : Portuguese culture in Tabucchi's microfiction
title_sort imagology and iconotextual dialogues portuguese culture in tabucchi s microfiction
topic imagology
ekphrasis
iconotext
transnationalism
Tabucchi
url https://journals.phil.muni.cz/erb/article/view/41424
work_keys_str_mv AT mariajoaosimoes imagologyandiconotextualdialoguesportuguesecultureintabucchismicrofiction