LIGETI’S ROMANIAN CONCERTO: FROM WAX CYLINDERS TO SYMPHONY ORCHESTRA
Beneath the Romanian Concerto’s colourful orchestral surface, evoking the folk-inspired music of both Bartók and Enescu, lies Ligeti’s early activity as a researcher (1949-1950) at the Folklore Institute in Bucharest. Placing cutouts from the printed score side by side with the manuscripts of his t...
Saved in:
| Main Author: | Bianca ŢIPLEA TEMEŞ |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Babeș-Bolyai University
2013-06-01
|
| Series: | Studia Universitatis Babeş-Bolyai. Musica |
| Subjects: | |
| Online Access: | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8850 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
LIGETI’S “STRING QUARTET No.1”; STYLISTIC INCONGRUENCE?
by: Bianca ŢIPLEA TEMEŞ
Published: (2008-12-01) -
GYÖRGY LIGETI’S SECOND STRING QUARTET: BIOGRAPHICAL INFLUENCES AND NEW TECHNIQUES
by: Tudor FERARU
Published: (2009-06-01) -
THE CONFLUENCE OF SCIENCE AND ARTISTIC INSPIRATION IN GYÖRGY LIGETI’S MUSICAL THINKING
by: Attila FODOR
Published: (2014-12-01) -
Reconceptualizing Musical Temporality: The Infinite Sound and Perpetual Motion in Ligeti’s Continuum
by: Diana ICHIM, et al.
Published: (2024-12-01) -
INTERFERENCES BETWEEN TRADITION AND MODERNITY IN THE SYMPHONIC AND CONCERTO WORKS BY ADRIAN POP – (3) SOLSTICE FOR ORCHESTRA
by: Paula MLADIN
Published: (2025-07-01)