Victim or Villain? A Study of Deconstruction in Tiara Andini’s ‘Maafkan Aku’
This study applies deconstruction, a key theory in postcolonial studies, to analyze and reinterpret the meaning within Tiara Andini's popular Indonesian song, Maafkan Aku. By examining both the literal meaning and its deconstruction, the research aims to uncover hidden layers of meaning in the...
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| Main Authors: | , , |
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| Format: | Article |
| Language: | Indonesian |
| Published: |
Politeknik Negeri Bali
2024-11-01
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| Series: | Soshum: Jurnal Sosial dan Humaniora |
| Subjects: | |
| Online Access: | https://ojs2.pnb.ac.id/index.php/SOSHUM/article/view/1869 |
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| Summary: | This study applies deconstruction, a key theory in postcolonial studies, to analyze and reinterpret the meaning within Tiara Andini's popular Indonesian song, Maafkan Aku. By examining both the literal meaning and its deconstruction, the research aims to uncover hidden layers of meaning in the song's lyrics. Using a descriptive qualitative approach, data from the lyrics are analyzed through textual analysis and the concept of deconstruction. The analysis first identifies binary oppositions in the lyrics and then challenges these oppositions to reveal new interpretations. Findings highlight the contrast between themes of penitence (as the song’s explicit meaning) and expectation (as its underlying meaning). The lyrics deconstruct the notion of penitence as a "victim" with an opposing sense of expectation as a "villain." This study offers a nuanced exploration of how deconstruction unveils alternative interpretations, contributing to a broader understanding of how popular culture uses language to express complex emotional and relational dynamics. |
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| ISSN: | 2088-2262 |