Przestrzeń filmowa jako przestrzeń wiedzy. O filmach Ray i Charlesa Eamesów

Through the whole period of their design output, Ray and Charles Eames used film as a tool. First, they referred to film when they tried to prove their artistic activity, then for the purposes of advertisement and finally, they got to large, highly-circulated global multimedia projects. Behind them...

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Main Author: Grażyna Świętochowska
Format: Article
Language:English
Published: Adam Mickiewicz University Press 2020-12-01
Series:Images
Subjects:
Online Access:https://pressto.amu.edu.pl/index.php/i/article/view/27383
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author Grażyna Świętochowska
author_facet Grażyna Świętochowska
author_sort Grażyna Świętochowska
collection DOAJ
description Through the whole period of their design output, Ray and Charles Eames used film as a tool. First, they referred to film when they tried to prove their artistic activity, then for the purposes of advertisement and finally, they got to large, highly-circulated global multimedia projects. Behind them were state and corporate subjects. In all film activities, they reveal an innovative attitude which negotiated the current techniques of production. Each time, they were able to create new value. They revolutionized advertising and educational films. In every attempt at this genre, they did not give up the humanistic approach. They presented scientific knowledge, offered in the form of standard high entertainment.
format Article
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institution Kabale University
issn 1731-450X
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language English
publishDate 2020-12-01
publisher Adam Mickiewicz University Press
record_format Article
series Images
spelling doaj-art-cabdb797844f40f78c5be19ede136cdf2025-08-20T03:52:52ZengAdam Mickiewicz University PressImages1731-450X2720-040X2020-12-01273610.14746/i.2020.36.06Przestrzeń filmowa jako przestrzeń wiedzy. O filmach Ray i Charlesa EamesówGrażyna Świętochowska0https://orcid.org/0000-0002-0241-1722Uniwersytet Gdański, Instytut Badań nad Kulturą Through the whole period of their design output, Ray and Charles Eames used film as a tool. First, they referred to film when they tried to prove their artistic activity, then for the purposes of advertisement and finally, they got to large, highly-circulated global multimedia projects. Behind them were state and corporate subjects. In all film activities, they reveal an innovative attitude which negotiated the current techniques of production. Each time, they were able to create new value. They revolutionized advertising and educational films. In every attempt at this genre, they did not give up the humanistic approach. They presented scientific knowledge, offered in the form of standard high entertainment. https://pressto.amu.edu.pl/index.php/i/article/view/27383multiscreeningscinema and designcinema and architectureworld expo
spellingShingle Grażyna Świętochowska
Przestrzeń filmowa jako przestrzeń wiedzy. O filmach Ray i Charlesa Eamesów
Images
multiscreenings
cinema and design
cinema and architecture
world expo
title Przestrzeń filmowa jako przestrzeń wiedzy. O filmach Ray i Charlesa Eamesów
title_full Przestrzeń filmowa jako przestrzeń wiedzy. O filmach Ray i Charlesa Eamesów
title_fullStr Przestrzeń filmowa jako przestrzeń wiedzy. O filmach Ray i Charlesa Eamesów
title_full_unstemmed Przestrzeń filmowa jako przestrzeń wiedzy. O filmach Ray i Charlesa Eamesów
title_short Przestrzeń filmowa jako przestrzeń wiedzy. O filmach Ray i Charlesa Eamesów
title_sort przestrzen filmowa jako przestrzen wiedzy o filmach ray i charlesa eamesow
topic multiscreenings
cinema and design
cinema and architecture
world expo
url https://pressto.amu.edu.pl/index.php/i/article/view/27383
work_keys_str_mv AT grazynaswietochowska przestrzenfilmowajakoprzestrzenwiedzyofilmachrayicharlesaeamesow