La transtextualité et la transposition d’art comme outils d’étude de l’ekphrasis : l’exemple de Percy Bysshe Shelley
Although Gerard Genette has qualms about a ‘transaesthetic study’ in Palimpsests (trans. 1997), mainly due to the difference of the two semiotic systems, his transtextuality offers a series of thematic and formal transformations that can show how a work of art is recast, once it is considered as mad...
Saved in:
| Main Author: | Fabien Desset |
|---|---|
| Format: | Article |
| Language: | fra |
| Published: |
Pléiade (EA 7338)
2015-07-01
|
| Series: | Itinéraires |
| Subjects: | |
| Online Access: | https://journals.openedition.org/itineraires/2432 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Synesthesia in Percy Bysshe Shelley’s ekphrasis: from audible paintings to tangible ideas
by: Fabien Desset
Published: (2015-01-01) -
“Forcing some lone ghost […] to render up the tale of what we are”: The Evolution of Traditional Spectral Talks in Percy Bysshe Shelley’s Work
by: Fabien Desset
Published: (2025-05-01) -
« S. » ou « M. » ? Voyage et auctorialité dans Histoire d’un voyage de six semaines (1817), de Mary Shelley et Percy Bysshe Shelley
by: Anne Rouhette
Published: (2016-03-01) -
Apogée ou appendice ? « Mont Blanc » et le mont Blanc dans Histoire d’un voyage de six semaines, de Mary Shelley et Percy Bysshe Shelley (1817)
by: Anne Rouhette
Published: (2023-06-01) -
L’ekphrasis photographique dans Dora Bruder de Patrick Modiano : entre magnétisme et réfraction
by: Valeria Sperti
Published: (2012-12-01)