Critics’ Reception And Readers’ Response To William Faulkner’s Absalom, Absalom! And Margaret Mitchell’s Gone With The Wind
This paper goes back to the first half of the twentieth century aiming to trace the novelistic representations of one of America’s most memorable wars: the Civil War. In William Faulkner’s Absalom, Absalom! and Margaret Mitchell’s Gone With the Wind, the antebellum south is depicted domestically, c...
Saved in:
| Main Author: | Djamila Houamdi |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
University of Bejaia Abderrahmane Mira
2018-12-01
|
| Series: | The Journal of Studies in Language, Culture and Society |
| Subjects: | |
| Online Access: | https://univ-bejaia.dz/revue/jslcs/article/view/208 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Seeing Margaret Mitchell’s Gone With the Wind with Fresh Eyes
by: Emmeline Gros
Published: (2020-07-01) -
The Monstrous South: Gothic Characters in William Faulkner’s Absalom, Absalom! and Toni Morrison’s Beloved
by: Artea Panajotović
Published: (2017-12-01) -
An Analysis of Symbolism in William Faulkner’s “The Bear”
by: Salman Hamid Khan
Published: (2020-06-01) -
Élégie sudiste : la nature en partage dans “Delta Autumn” de William Faulkner
by: Frédérique Spill
Published: (2016-06-01) -
“Do I hear south in my voice? I hope not”: Richard Ford’s Frank Bascombe as a hypertextual counterpart to William Faulkner’s Quentin Compson
by: Stéphanie EYROLLES SUCHET
Published: (2025-06-01)