Sur l’écran de ses souvenirs, Lo Batèu de pèira
The work of Jòrgi Gròs is interested in cinema in several ways, but this interest goes beyond the anecdotal and constitutes one of the core meanings of this novel. It is first of all a history of cinemas and audiences, coupled with a history of films, reworked by the writer's memory, who has ta...
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| Format: | Article |
| Language: | fra |
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Presses universitaires de la Méditerranée
2022-03-01
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| Series: | Revue des Langues Romanes |
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| Online Access: | https://journals.openedition.org/rlr/4904 |
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| _version_ | 1841557872044933120 |
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| author | François Amy de la Bretèque |
| author_facet | François Amy de la Bretèque |
| author_sort | François Amy de la Bretèque |
| collection | DOAJ |
| description | The work of Jòrgi Gròs is interested in cinema in several ways, but this interest goes beyond the anecdotal and constitutes one of the core meanings of this novel. It is first of all a history of cinemas and audiences, coupled with a history of films, reworked by the writer's memory, who has taken the popular cinema of the 1930s to the 1950s as a point of reference and blends in older memories from his father's childhood. It thus touches on local history, the history of audiences and the collective imagination. But above all, it is a very personal account of a total founding experience that will subsequently inform the writer's entire visual experience and mark his writing, not because it is "cinematic" but because of its eminently poetic dimension. |
| format | Article |
| id | doaj-art-c9e3d0cd2b874d66971fcf02a8791224 |
| institution | Kabale University |
| issn | 0223-3711 2391-114X |
| language | fra |
| publishDate | 2022-03-01 |
| publisher | Presses universitaires de la Méditerranée |
| record_format | Article |
| series | Revue des Langues Romanes |
| spelling | doaj-art-c9e3d0cd2b874d66971fcf02a87912242025-01-06T09:24:20ZfraPresses universitaires de la MéditerranéeRevue des Langues Romanes0223-37112391-114X2022-03-01126637910.4000/rlr.4904Sur l’écran de ses souvenirs, Lo Batèu de pèiraFrançois Amy de la BretèqueThe work of Jòrgi Gròs is interested in cinema in several ways, but this interest goes beyond the anecdotal and constitutes one of the core meanings of this novel. It is first of all a history of cinemas and audiences, coupled with a history of films, reworked by the writer's memory, who has taken the popular cinema of the 1930s to the 1950s as a point of reference and blends in older memories from his father's childhood. It thus touches on local history, the history of audiences and the collective imagination. But above all, it is a very personal account of a total founding experience that will subsequently inform the writer's entire visual experience and mark his writing, not because it is "cinematic" but because of its eminently poetic dimension.https://journals.openedition.org/rlr/4904cinematheatrespublicvisual experienceimages |
| spellingShingle | François Amy de la Bretèque Sur l’écran de ses souvenirs, Lo Batèu de pèira Revue des Langues Romanes cinema theatres public visual experience images |
| title | Sur l’écran de ses souvenirs, Lo Batèu de pèira |
| title_full | Sur l’écran de ses souvenirs, Lo Batèu de pèira |
| title_fullStr | Sur l’écran de ses souvenirs, Lo Batèu de pèira |
| title_full_unstemmed | Sur l’écran de ses souvenirs, Lo Batèu de pèira |
| title_short | Sur l’écran de ses souvenirs, Lo Batèu de pèira |
| title_sort | sur l ecran de ses souvenirs lo bateu de peira |
| topic | cinema theatres public visual experience images |
| url | https://journals.openedition.org/rlr/4904 |
| work_keys_str_mv | AT francoisamydelabreteque surlecrandesessouvenirslobateudepeira |