Adoption And Adaptation In Harold Pinter’s The Homecoming: The Ambiguous Representation Of Pinter’s Women In The Play.
This paper is concerned with analyzing the linguistic tools used by Harold Pinter to adapt to the representation of women in the twentieth century. A close reading of the play exhibits a particular reference to the ideological representation of gender, articulated mostly through the cultural codes...
Saved in:
| Main Author: | Mariem Souissi |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
University of Bejaia Abderrahmane Mira
2024-11-01
|
| Series: | The Journal of Studies in Language, Culture and Society |
| Subjects: | |
| Online Access: | https://univ-bejaia.dz/revue/jslcs/article/view/393 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Politics, Incarceration, and Innocence in Harold Pinter’s One for the Road and Melih Cevdet Anday’s İçerdekiler
by: Murathan Gündoğdu
Published: (2024-03-01) -
Słońce i cień. Dramaturgia Posłańca: Hartley / Pinter / Losey
by: Olga Katafiasz
Published: (2015-01-01) -
Reunion, a Novella by Fred Uhlman (1971) adapted to the Cinema by Harold Pinter for Jerry Schatzberg (1989): from (auto)biography to politics
by: Isabelle Roblin
Published: (2016-01-01) -
Do sagrado ao profano: uma leitura dos espaços de A volta ao lar, de Harold Pinter
by: Júlio Lopes Cruz, et al.
Published: (2025-06-01) -
„…további racionális integrációra számítok…” Interjú Pintér Sándor belügyminiszterrel
by: Géza Finszter, et al.
Published: (2011-09-01)