Construction et circulation des savoirs musicaux

Breitkopf & Härtel largely contributed to the development of a learned discourse on music. Based on an analysis of four journals founded by this music publisher, this article aims to examine how circulation of knowledge and scientific specialization during the 19th century were linked to the est...

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Main Author: Angélica Rigaudière
Format: Article
Language:fra
Published: Société d'Anthropologie des Connaissances 2019-09-01
Series:Revue d'anthropologie des connaissances
Subjects:
Online Access:https://journals.openedition.org/rac/1642
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author Angélica Rigaudière
author_facet Angélica Rigaudière
author_sort Angélica Rigaudière
collection DOAJ
description Breitkopf & Härtel largely contributed to the development of a learned discourse on music. Based on an analysis of four journals founded by this music publisher, this article aims to examine how circulation of knowledge and scientific specialization during the 19th century were linked to the establishment of a publishing market. As part of a commercial strategy, the Allgemeine musikalische Zeitung (1798-1848; 1863-1882) intended to adress a general readership. The Jahrbücher für musikalische Wissenschaft (1863, 1867) defended the need to conciliate the accurate knowledge of the specialist and the broader outlook of the dilettante. The Zeitschrift der Internationalen Musikgesellschaft (1899-1914) and the Sammelbände der Internationalen Musikgesellschaft (1899-1914) are conceived to interest musicians and musicologists respectively.
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publisher Société d'Anthropologie des Connaissances
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spelling doaj-art-c8e3f3f9d78b4e23aa939e0cd6245e012025-08-20T02:27:00ZfraSociété d'Anthropologie des ConnaissancesRevue d'anthropologie des connaissances1760-53932019-09-0113310.4000/rac.1642Construction et circulation des savoirs musicauxAngélica RigaudièreBreitkopf & Härtel largely contributed to the development of a learned discourse on music. Based on an analysis of four journals founded by this music publisher, this article aims to examine how circulation of knowledge and scientific specialization during the 19th century were linked to the establishment of a publishing market. As part of a commercial strategy, the Allgemeine musikalische Zeitung (1798-1848; 1863-1882) intended to adress a general readership. The Jahrbücher für musikalische Wissenschaft (1863, 1867) defended the need to conciliate the accurate knowledge of the specialist and the broader outlook of the dilettante. The Zeitschrift der Internationalen Musikgesellschaft (1899-1914) and the Sammelbände der Internationalen Musikgesellschaft (1899-1914) are conceived to interest musicians and musicologists respectively.https://journals.openedition.org/rac/1642circulation of knowledge19th centurymusic publishingscholarly journalmusicology
spellingShingle Angélica Rigaudière
Construction et circulation des savoirs musicaux
Revue d'anthropologie des connaissances
circulation of knowledge
19th century
music publishing
scholarly journal
musicology
title Construction et circulation des savoirs musicaux
title_full Construction et circulation des savoirs musicaux
title_fullStr Construction et circulation des savoirs musicaux
title_full_unstemmed Construction et circulation des savoirs musicaux
title_short Construction et circulation des savoirs musicaux
title_sort construction et circulation des savoirs musicaux
topic circulation of knowledge
19th century
music publishing
scholarly journal
musicology
url https://journals.openedition.org/rac/1642
work_keys_str_mv AT angelicarigaudiere constructionetcirculationdessavoirsmusicaux