Decomposing the Scene:
This article explores dance through the lens of gender, using the case study of Mimosa/Twenty Looks or Paris is Burning, a collective performance conceived by four of the most important contemporary choreographers: Trajal Harrell, Cecilia Bengolea, François Chaignaud, and Marlene Monteiro Freitas....
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| Format: | Article |
| Language: | English |
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Universidade Federal do Rio Grande do Sul
2025-04-01
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| Series: | Revista Brasileira de Estudos da Presença |
| Subjects: | |
| Online Access: | https://seer.ufrgs.br/index.php/educacaoerealidade;www.scielo.br/index.php/presenca/article/view/137725 |
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| _version_ | 1850173928104787968 |
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| author | Stefania Lodi Rizzini |
| author_facet | Stefania Lodi Rizzini |
| author_sort | Stefania Lodi Rizzini |
| collection | DOAJ |
| description |
This article explores dance through the lens of gender, using the case study of Mimosa/Twenty Looks or Paris is Burning, a collective performance conceived by four of the most important contemporary choreographers: Trajal Harrell, Cecilia Bengolea, François Chaignaud, and Marlene Monteiro Freitas. This text interrogates different elements highlighted by this performance, such as how dance heritage may dialogue with contemporary perspectives concerning class, gender, and race issues, to help us better understand the representation of subcultural identity in dance.
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| format | Article |
| id | doaj-art-c7fac7d0fbf74b04bdcd6ddc08c87751 |
| institution | OA Journals |
| issn | 2237-2660 |
| language | English |
| publishDate | 2025-04-01 |
| publisher | Universidade Federal do Rio Grande do Sul |
| record_format | Article |
| series | Revista Brasileira de Estudos da Presença |
| spelling | doaj-art-c7fac7d0fbf74b04bdcd6ddc08c877512025-08-20T02:19:45ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602025-04-01151Decomposing the Scene: Stefania Lodi Rizzini0Université Paris 3 - Sorbonne Nouvelle This article explores dance through the lens of gender, using the case study of Mimosa/Twenty Looks or Paris is Burning, a collective performance conceived by four of the most important contemporary choreographers: Trajal Harrell, Cecilia Bengolea, François Chaignaud, and Marlene Monteiro Freitas. This text interrogates different elements highlighted by this performance, such as how dance heritage may dialogue with contemporary perspectives concerning class, gender, and race issues, to help us better understand the representation of subcultural identity in dance. https://seer.ufrgs.br/index.php/educacaoerealidade;www.scielo.br/index.php/presenca/article/view/137725CommunityContact ZoneVoguingGenderPostmodern Dance |
| spellingShingle | Stefania Lodi Rizzini Decomposing the Scene: Revista Brasileira de Estudos da Presença Community Contact Zone Voguing Gender Postmodern Dance |
| title | Decomposing the Scene: |
| title_full | Decomposing the Scene: |
| title_fullStr | Decomposing the Scene: |
| title_full_unstemmed | Decomposing the Scene: |
| title_short | Decomposing the Scene: |
| title_sort | decomposing the scene |
| topic | Community Contact Zone Voguing Gender Postmodern Dance |
| url | https://seer.ufrgs.br/index.php/educacaoerealidade;www.scielo.br/index.php/presenca/article/view/137725 |
| work_keys_str_mv | AT stefanialodirizzini decomposingthescene |