Production as translation: the merchant of Venice on the “foreign” stage
In recent years, seventeenth-century classical drama has increasingly traversed national borders and become accessible to “foreign” audiences through modern productions based on translations and / or new versions that interrogate the original textual author-ity. The very act of translation, of deny...
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| Main Author: | |
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| Format: | Article |
| Language: | English |
| Published: |
Universidade Federal de Santa Catarina
1999-01-01
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| Series: | Ilha do Desterro |
| Online Access: | https://periodicos.ufsc.br/index.php/desterro/article/view/8184 |
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