Undoing conceptual languages? Epistemic ambivalence as self-reflexive agency in Kaouther Adimi’s Des pierres dans ma poche (2015)

Migration writing has often been defined and read in relation to a writer’s own experiences and migration story. This has been principally visible in political and media discourses, where writers are co-opted by, indeed place themselves into, the political and media arena as a means of promoting the...

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Main Author: Joseph Ford
Format: Article
Language:English
Published: Liverpool University Press 2024-12-01
Series:Francosphères
Subjects:
Online Access:http://www.liverpooluniversitypress.co.uk/doi/10.3828/franc.2024.9
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author Joseph Ford
author_facet Joseph Ford
author_sort Joseph Ford
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description Migration writing has often been defined and read in relation to a writer’s own experiences and migration story. This has been principally visible in political and media discourses, where writers are co-opted by, indeed place themselves into, the political and media arena as a means of promoting their work. However, even when focusing on lesser-known writers not subject to the same levels of political and media visibility, literary critics have tended to align forms of a character’s agency with that of their author’s own ‘journey’ from the place of ‘departure’ to that of an ‘arrival’. In an analysis of the Algerian writer Kaouther Adimi’s 2015 novel, Des pierres dans ma poche, I ask how writers might be seen to theorize their own epistemic ambivalence as a form of self-reflexive agency, in order to tell a more complicated story about the contemporary movement of people and texts across (post)colonial borders, with a critical and self-reflexive eye to the coloniality of the conceptual languages of the borders, boundaries, and knowledge systems critics use to describe and understand writers, texts, and their worlds.
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spelling doaj-art-c75757d3f5dd4a7eb2f26b033ba23f382025-08-20T01:58:04ZengLiverpool University PressFrancosphères2046-38202046-38392024-12-0113211512710.3828/franc.2024.9Undoing conceptual languages? Epistemic ambivalence as self-reflexive agency in Kaouther Adimi’s Des pierres dans ma poche (2015)Joseph Ford0School of Advanced Study, University of LondonMigration writing has often been defined and read in relation to a writer’s own experiences and migration story. This has been principally visible in political and media discourses, where writers are co-opted by, indeed place themselves into, the political and media arena as a means of promoting their work. However, even when focusing on lesser-known writers not subject to the same levels of political and media visibility, literary critics have tended to align forms of a character’s agency with that of their author’s own ‘journey’ from the place of ‘departure’ to that of an ‘arrival’. In an analysis of the Algerian writer Kaouther Adimi’s 2015 novel, Des pierres dans ma poche, I ask how writers might be seen to theorize their own epistemic ambivalence as a form of self-reflexive agency, in order to tell a more complicated story about the contemporary movement of people and texts across (post)colonial borders, with a critical and self-reflexive eye to the coloniality of the conceptual languages of the borders, boundaries, and knowledge systems critics use to describe and understand writers, texts, and their worlds.http://www.liverpooluniversitypress.co.uk/doi/10.3828/franc.2024.9migration writingliterary criticismpost/colonialismcolonialitygenderambivalence
spellingShingle Joseph Ford
Undoing conceptual languages? Epistemic ambivalence as self-reflexive agency in Kaouther Adimi’s Des pierres dans ma poche (2015)
Francosphères
migration writing
literary criticism
post/colonialism
coloniality
gender
ambivalence
title Undoing conceptual languages? Epistemic ambivalence as self-reflexive agency in Kaouther Adimi’s Des pierres dans ma poche (2015)
title_full Undoing conceptual languages? Epistemic ambivalence as self-reflexive agency in Kaouther Adimi’s Des pierres dans ma poche (2015)
title_fullStr Undoing conceptual languages? Epistemic ambivalence as self-reflexive agency in Kaouther Adimi’s Des pierres dans ma poche (2015)
title_full_unstemmed Undoing conceptual languages? Epistemic ambivalence as self-reflexive agency in Kaouther Adimi’s Des pierres dans ma poche (2015)
title_short Undoing conceptual languages? Epistemic ambivalence as self-reflexive agency in Kaouther Adimi’s Des pierres dans ma poche (2015)
title_sort undoing conceptual languages epistemic ambivalence as self reflexive agency in kaouther adimi s des pierres dans ma poche 2015
topic migration writing
literary criticism
post/colonialism
coloniality
gender
ambivalence
url http://www.liverpooluniversitypress.co.uk/doi/10.3828/franc.2024.9
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