Powrót (2003) Andrieja Zwiagincewa jako film inicjacyjny
The subject of this paper is Andrey Zvyagintsev’s film The Return (2003). In the Polish film studies literature, both the debut film and other works by this Russian director are analyzed primarily in terms of iconographic references to the Christian religion, which, although meaningful, are n...
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| Language: | English |
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Adam Mickiewicz University Press
2024-12-01
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| Series: | Images |
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| Online Access: | https://pressto.amu.edu.pl/index.php/i/article/view/45564 |
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| author | Zuzanna Karpińska |
| author_facet | Zuzanna Karpińska |
| author_sort | Zuzanna Karpińska |
| collection | DOAJ |
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The subject of this paper is Andrey Zvyagintsev’s film The Return (2003). In the Polish film studies literature, both the debut film and other works by this Russian director are analyzed primarily in terms of iconographic references to the Christian religion, which, although meaningful, are not the only important cultural contexts present in The Return, according to this author. The main problem addressed in the text is the way in which the rites of passage function in Zvyagintsev’s work and the meaning of initiation in relation to the figure of the Father and the “religious” plane of interpretation of the film.
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| format | Article |
| id | doaj-art-c753e3c072824cfd9cd5936c13bf8e0e |
| institution | OA Journals |
| issn | 1731-450X 2720-040X |
| language | English |
| publishDate | 2024-12-01 |
| publisher | Adam Mickiewicz University Press |
| record_format | Article |
| series | Images |
| spelling | doaj-art-c753e3c072824cfd9cd5936c13bf8e0e2025-08-20T02:28:27ZengAdam Mickiewicz University PressImages1731-450X2720-040X2024-12-01374610.14746/i.2024.37.46.21Powrót (2003) Andrieja Zwiagincewa jako film inicjacyjnyZuzanna Karpińska0Adam Mickiewicz University in Poznań The subject of this paper is Andrey Zvyagintsev’s film The Return (2003). In the Polish film studies literature, both the debut film and other works by this Russian director are analyzed primarily in terms of iconographic references to the Christian religion, which, although meaningful, are not the only important cultural contexts present in The Return, according to this author. The main problem addressed in the text is the way in which the rites of passage function in Zvyagintsev’s work and the meaning of initiation in relation to the figure of the Father and the “religious” plane of interpretation of the film. https://pressto.amu.edu.pl/index.php/i/article/view/45564The Return Zvyagintsevinitiation“religious” movie |
| spellingShingle | Zuzanna Karpińska Powrót (2003) Andrieja Zwiagincewa jako film inicjacyjny Images The Return Zvyagintsev initiation “religious” movie |
| title | Powrót (2003) Andrieja Zwiagincewa jako film inicjacyjny |
| title_full | Powrót (2003) Andrieja Zwiagincewa jako film inicjacyjny |
| title_fullStr | Powrót (2003) Andrieja Zwiagincewa jako film inicjacyjny |
| title_full_unstemmed | Powrót (2003) Andrieja Zwiagincewa jako film inicjacyjny |
| title_short | Powrót (2003) Andrieja Zwiagincewa jako film inicjacyjny |
| title_sort | powrot 2003 andrieja zwiagincewa jako film inicjacyjny |
| topic | The Return Zvyagintsev initiation “religious” movie |
| url | https://pressto.amu.edu.pl/index.php/i/article/view/45564 |
| work_keys_str_mv | AT zuzannakarpinska powrot2003andriejazwiagincewajakofilminicjacyjny |