Les désastres de la guerre
Realized between 1810 and 1820, then published in 1863, Goya’s etchings entitled Disasters of War imposed on the art world a new way of viewing war, perceived as a brutal clash between torturers and their victims. For this conflict with no holds barred, Goya invents an iconography less noble than th...
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| Format: | Article |
| Language: | English |
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TELEMME - UMR 6570
2006-09-01
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| Series: | Amnis |
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| Online Access: | https://journals.openedition.org/amnis/900 |
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| _version_ | 1841551156180942848 |
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| author | Jean-Philippe Chimot |
| author_facet | Jean-Philippe Chimot |
| author_sort | Jean-Philippe Chimot |
| collection | DOAJ |
| description | Realized between 1810 and 1820, then published in 1863, Goya’s etchings entitled Disasters of War imposed on the art world a new way of viewing war, perceived as a brutal clash between torturers and their victims. For this conflict with no holds barred, Goya invents an iconography less noble than the contemporary styles (late Rococo or Neo-Classical), without however falling victim to the inevitable opportunism of the period’s popular engravings. Today, the strength of Goya’s Disasters lies perhaps in his premonition of the unbearable cruelty that nations reserve for one another, as though the Enlightenment had from that moment on accentuated the shadows which are still surrounding us. |
| format | Article |
| id | doaj-art-c6bc952f930348dab7dfe0ae10bac12b |
| institution | Kabale University |
| issn | 1764-7193 |
| language | English |
| publishDate | 2006-09-01 |
| publisher | TELEMME - UMR 6570 |
| record_format | Article |
| series | Amnis |
| spelling | doaj-art-c6bc952f930348dab7dfe0ae10bac12b2025-01-09T16:30:53ZengTELEMME - UMR 6570Amnis1764-71932006-09-01610.4000/amnis.900Les désastres de la guerreJean-Philippe ChimotRealized between 1810 and 1820, then published in 1863, Goya’s etchings entitled Disasters of War imposed on the art world a new way of viewing war, perceived as a brutal clash between torturers and their victims. For this conflict with no holds barred, Goya invents an iconography less noble than the contemporary styles (late Rococo or Neo-Classical), without however falling victim to the inevitable opportunism of the period’s popular engravings. Today, the strength of Goya’s Disasters lies perhaps in his premonition of the unbearable cruelty that nations reserve for one another, as though the Enlightenment had from that moment on accentuated the shadows which are still surrounding us.https://journals.openedition.org/amnis/900EuropeSpainGoyaDisasters of War |
| spellingShingle | Jean-Philippe Chimot Les désastres de la guerre Amnis Europe Spain Goya Disasters of War |
| title | Les désastres de la guerre |
| title_full | Les désastres de la guerre |
| title_fullStr | Les désastres de la guerre |
| title_full_unstemmed | Les désastres de la guerre |
| title_short | Les désastres de la guerre |
| title_sort | les desastres de la guerre |
| topic | Europe Spain Goya Disasters of War |
| url | https://journals.openedition.org/amnis/900 |
| work_keys_str_mv | AT jeanphilippechimot lesdesastresdelaguerre |