« Clio en scène », ou le théâtre d’histoire immédiate au prisme des Humanités numériques
This note recalls the aims of the project entitled « Clio on Stage : Making History – Immediate History on the British Stage », based at Sorbonne Université between 2019 and 2021. The project proceeds from the remark that both early modern theatre and contemporary theatre tend to show a predilection...
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Format: | Article |
Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2022-01-01
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Series: | Sillages Critiques |
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Online Access: | https://journals.openedition.org/sillagescritiques/12817 |
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author | Virginie Yvernault Élisabeth Angel-Perez Line Cottegnies |
author_facet | Virginie Yvernault Élisabeth Angel-Perez Line Cottegnies |
author_sort | Virginie Yvernault |
collection | DOAJ |
description | This note recalls the aims of the project entitled « Clio on Stage : Making History – Immediate History on the British Stage », based at Sorbonne Université between 2019 and 2021. The project proceeds from the remark that both early modern theatre and contemporary theatre tend to show a predilection for objects that have to do with recent or immediate history. The article traces the successive steps which have led to the creation of a relational database which includes a corpus of over a hundred plays (mostly British, but with also a few French ones), and offers a non-exhaustive analysis of the first results provided by the database. |
format | Article |
id | doaj-art-c5ca58e196c541d990c41779e762e599 |
institution | Kabale University |
issn | 1272-3819 1969-6302 |
language | English |
publishDate | 2022-01-01 |
publisher | Centre de Recherche "Texte et Critique de Texte" |
record_format | Article |
series | Sillages Critiques |
spelling | doaj-art-c5ca58e196c541d990c41779e762e5992025-01-30T13:47:13ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022022-01-013110.4000/sillagescritiques.12817« Clio en scène », ou le théâtre d’histoire immédiate au prisme des Humanités numériquesVirginie YvernaultÉlisabeth Angel-PerezLine CottegniesThis note recalls the aims of the project entitled « Clio on Stage : Making History – Immediate History on the British Stage », based at Sorbonne Université between 2019 and 2021. The project proceeds from the remark that both early modern theatre and contemporary theatre tend to show a predilection for objects that have to do with recent or immediate history. The article traces the successive steps which have led to the creation of a relational database which includes a corpus of over a hundred plays (mostly British, but with also a few French ones), and offers a non-exhaustive analysis of the first results provided by the database.https://journals.openedition.org/sillagescritiques/12817immediate historyearly modernitypost-modernitytopical theatrenewsdigital humanities |
spellingShingle | Virginie Yvernault Élisabeth Angel-Perez Line Cottegnies « Clio en scène », ou le théâtre d’histoire immédiate au prisme des Humanités numériques Sillages Critiques immediate history early modernity post-modernity topical theatre news digital humanities |
title | « Clio en scène », ou le théâtre d’histoire immédiate au prisme des Humanités numériques |
title_full | « Clio en scène », ou le théâtre d’histoire immédiate au prisme des Humanités numériques |
title_fullStr | « Clio en scène », ou le théâtre d’histoire immédiate au prisme des Humanités numériques |
title_full_unstemmed | « Clio en scène », ou le théâtre d’histoire immédiate au prisme des Humanités numériques |
title_short | « Clio en scène », ou le théâtre d’histoire immédiate au prisme des Humanités numériques |
title_sort | clio en scene ou le theatre d histoire immediate au prisme des humanites numeriques |
topic | immediate history early modernity post-modernity topical theatre news digital humanities |
url | https://journals.openedition.org/sillagescritiques/12817 |
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