International Language Poetry: Radical Poetics in Charles Bernstein and Andrzej Sosnowski
The article discusses two linguistic poetry projects—that of the American poet Charles Bernstein and that of the Polish poet Andrzej Sosnowski. The main focus is on those poems by both poets which draw inspiration from the early modernist tradition of avant-garde and experimental literature. At the...
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| Format: | Article |
| Language: | English |
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Lodz University Press
2024-11-01
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| Series: | Text Matters |
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| Online Access: | https://czasopisma.uni.lodz.pl/textmatters/article/view/24218 |
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| author | Tomasz Cieślak-Sokołowski |
| author_facet | Tomasz Cieślak-Sokołowski |
| author_sort | Tomasz Cieślak-Sokołowski |
| collection | DOAJ |
| description | The article discusses two linguistic poetry projects—that of the American poet Charles Bernstein and that of the Polish poet Andrzej Sosnowski. The main focus is on those poems by both poets which draw inspiration from the early modernist tradition of avant-garde and experimental literature. At the same time, the keystone of both works reveals itself to be—in reference to Ezra Pound’s poetic project—the belief that a poem is not so much a record of the poet’s experiences and emotions, but rather a distinct field capable of effectively assimilating and absorbing various elements (such as vocabularies, language styles, discourses). In this light, when closely examined, Bernstein’s and Sosnowski’s poems emerge as a late-modern attempt to contain the oversimplified, ideologized images of contemporary reality within an effectively polyphonic poetic text. This is because the author attempts to demonstrate that a difficult poem, employing avant-garde techniques, does not have to be merely a sterile formalist exercise. Instead, innovative poetic practices continue to have an important role, particularly if we shift our focus from political and journalistic declarations to the politicization of form. Poetry that still seeks stylistic and formal innovations can suggest alternative approaches to readers regarding the oversimplified methods of shaping social formations. |
| format | Article |
| id | doaj-art-c588f4c0ebb8448eaecd1d5d7ea8dd45 |
| institution | DOAJ |
| issn | 2083-2931 2084-574X |
| language | English |
| publishDate | 2024-11-01 |
| publisher | Lodz University Press |
| record_format | Article |
| series | Text Matters |
| spelling | doaj-art-c588f4c0ebb8448eaecd1d5d7ea8dd452025-08-20T02:50:22ZengLodz University PressText Matters2083-29312084-574X2024-11-011447048610.18778/2083-2931.14.2724706International Language Poetry: Radical Poetics in Charles Bernstein and Andrzej SosnowskiTomasz Cieślak-Sokołowski0https://orcid.org/0000-0002-3234-2107Jagiellonian University in KrakówThe article discusses two linguistic poetry projects—that of the American poet Charles Bernstein and that of the Polish poet Andrzej Sosnowski. The main focus is on those poems by both poets which draw inspiration from the early modernist tradition of avant-garde and experimental literature. At the same time, the keystone of both works reveals itself to be—in reference to Ezra Pound’s poetic project—the belief that a poem is not so much a record of the poet’s experiences and emotions, but rather a distinct field capable of effectively assimilating and absorbing various elements (such as vocabularies, language styles, discourses). In this light, when closely examined, Bernstein’s and Sosnowski’s poems emerge as a late-modern attempt to contain the oversimplified, ideologized images of contemporary reality within an effectively polyphonic poetic text. This is because the author attempts to demonstrate that a difficult poem, employing avant-garde techniques, does not have to be merely a sterile formalist exercise. Instead, innovative poetic practices continue to have an important role, particularly if we shift our focus from political and journalistic declarations to the politicization of form. Poetry that still seeks stylistic and formal innovations can suggest alternative approaches to readers regarding the oversimplified methods of shaping social formations.https://czasopisma.uni.lodz.pl/textmatters/article/view/24218radical modernismavant-gardecharles bernsteinandrzej sosnowskidifficult poetry |
| spellingShingle | Tomasz Cieślak-Sokołowski International Language Poetry: Radical Poetics in Charles Bernstein and Andrzej Sosnowski Text Matters radical modernism avant-garde charles bernstein andrzej sosnowski difficult poetry |
| title | International Language Poetry: Radical Poetics in Charles Bernstein and Andrzej Sosnowski |
| title_full | International Language Poetry: Radical Poetics in Charles Bernstein and Andrzej Sosnowski |
| title_fullStr | International Language Poetry: Radical Poetics in Charles Bernstein and Andrzej Sosnowski |
| title_full_unstemmed | International Language Poetry: Radical Poetics in Charles Bernstein and Andrzej Sosnowski |
| title_short | International Language Poetry: Radical Poetics in Charles Bernstein and Andrzej Sosnowski |
| title_sort | international language poetry radical poetics in charles bernstein and andrzej sosnowski |
| topic | radical modernism avant-garde charles bernstein andrzej sosnowski difficult poetry |
| url | https://czasopisma.uni.lodz.pl/textmatters/article/view/24218 |
| work_keys_str_mv | AT tomaszcieslaksokołowski internationallanguagepoetryradicalpoeticsincharlesbernsteinandandrzejsosnowski |