City in Charles Dickens’ Great Expectations and Morteza Moshfeq Kazemi’s Tehran-e Makhuf (The Horrible Tehran): A Comparative Study

Setting in literature has long been a prominent issue in literary evaluations. The systematic concern with setting and space dates back to the time Aristotle first discussed the concept of "spectacle" in his Poetics, deeming it essential to the formation of a proper tragedy. Today, spatial...

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Main Authors: Kiana Vakili Robati, Masoud Farahmandfar
Format: Article
Language:fas
Published: University of Birjand 2021-08-01
Series:مطالعات بین‌رشته‌ای ادبیات، هنر و علوم انسانی
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Online Access:https://islah.birjand.ac.ir/article_1687_501e7288d4e2b8e8e084c8c43d6a217c.pdf
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author Kiana Vakili Robati
Masoud Farahmandfar
author_facet Kiana Vakili Robati
Masoud Farahmandfar
author_sort Kiana Vakili Robati
collection DOAJ
description Setting in literature has long been a prominent issue in literary evaluations. The systematic concern with setting and space dates back to the time Aristotle first discussed the concept of "spectacle" in his Poetics, deeming it essential to the formation of a proper tragedy. Today, spatial studies frequently acknowledge Charles Dickens as one of the greatest observers of the operation of the city in the novel. His foremost novel, Great Expectations, depicts modernity and the social hardships of the time in the form of a love story bringing the plot in close proximity with Morteza Moshfeq Kazemi’s novel Tehran-e Makhuf .This article focuses on the scrutinizing of the creation of social spaces in these two novels through the utilization of Henri Lefebvre’s theory of space as an active production of each society. The concern with space and city and their function is further reflected in the section “City, Space, and Society,," followed in more detail in the section “The City.” In the section “Society, and the Background of the Author,” and the one after, “The Portrayal of the Two Cities and Social Space,” the cities envisioned are observed apropos of the image created, its relationship to the narrative, and social relations. Consequently it is proposed that the cities produced by these two novels are not essentially objects, but rather, the city is a product of that society-- dominating and producing the society itself through its active production by the witnesses,
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series مطالعات بین‌رشته‌ای ادبیات، هنر و علوم انسانی
spelling doaj-art-c507528e0ed649d7b7ba44324f0f2ca72025-08-20T03:08:06ZfasUniversity of Birjandمطالعات بین‌رشته‌ای ادبیات، هنر و علوم انسانی2783-27592021-08-0111597710.22077/islah.2021.3958.10191687City in Charles Dickens’ Great Expectations and Morteza Moshfeq Kazemi’s Tehran-e Makhuf (The Horrible Tehran): A Comparative StudyKiana Vakili Robati0Masoud Farahmandfar1M.A in English literature, Faculty of Persian Literature and Foreign Languages, Allameh Tabataba University, Tehran, IranAssistant Professor, English Language & Literature, Faculty of Persian Literature and Foreign Languages, Allameh Tabataba University, Tehran, IranSetting in literature has long been a prominent issue in literary evaluations. The systematic concern with setting and space dates back to the time Aristotle first discussed the concept of "spectacle" in his Poetics, deeming it essential to the formation of a proper tragedy. Today, spatial studies frequently acknowledge Charles Dickens as one of the greatest observers of the operation of the city in the novel. His foremost novel, Great Expectations, depicts modernity and the social hardships of the time in the form of a love story bringing the plot in close proximity with Morteza Moshfeq Kazemi’s novel Tehran-e Makhuf .This article focuses on the scrutinizing of the creation of social spaces in these two novels through the utilization of Henri Lefebvre’s theory of space as an active production of each society. The concern with space and city and their function is further reflected in the section “City, Space, and Society,," followed in more detail in the section “The City.” In the section “Society, and the Background of the Author,” and the one after, “The Portrayal of the Two Cities and Social Space,” the cities envisioned are observed apropos of the image created, its relationship to the narrative, and social relations. Consequently it is proposed that the cities produced by these two novels are not essentially objects, but rather, the city is a product of that society-- dominating and producing the society itself through its active production by the witnesses,https://islah.birjand.ac.ir/article_1687_501e7288d4e2b8e8e084c8c43d6a217c.pdfcitysocial spacemodernitygreat expectationstehran-e makhuf
spellingShingle Kiana Vakili Robati
Masoud Farahmandfar
City in Charles Dickens’ Great Expectations and Morteza Moshfeq Kazemi’s Tehran-e Makhuf (The Horrible Tehran): A Comparative Study
مطالعات بین‌رشته‌ای ادبیات، هنر و علوم انسانی
city
social space
modernity
great expectations
tehran-e makhuf
title City in Charles Dickens’ Great Expectations and Morteza Moshfeq Kazemi’s Tehran-e Makhuf (The Horrible Tehran): A Comparative Study
title_full City in Charles Dickens’ Great Expectations and Morteza Moshfeq Kazemi’s Tehran-e Makhuf (The Horrible Tehran): A Comparative Study
title_fullStr City in Charles Dickens’ Great Expectations and Morteza Moshfeq Kazemi’s Tehran-e Makhuf (The Horrible Tehran): A Comparative Study
title_full_unstemmed City in Charles Dickens’ Great Expectations and Morteza Moshfeq Kazemi’s Tehran-e Makhuf (The Horrible Tehran): A Comparative Study
title_short City in Charles Dickens’ Great Expectations and Morteza Moshfeq Kazemi’s Tehran-e Makhuf (The Horrible Tehran): A Comparative Study
title_sort city in charles dickens great expectations and morteza moshfeq kazemi s tehran e makhuf the horrible tehran a comparative study
topic city
social space
modernity
great expectations
tehran-e makhuf
url https://islah.birjand.ac.ir/article_1687_501e7288d4e2b8e8e084c8c43d6a217c.pdf
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