From the Koh-i-noor to the Hitopadesha: Consumption of Indian Antiquities in the Colonial Market

The paper examines both tangible and intangible materials that had a ritualistic value for Indians and once taken into the colonial market became objects of antiquity. The famous Koh-i-noor diamond was one such object which was a symbol of imperial sovereignty but once brought into the global market...

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Main Author: Sutapa Dutta
Format: Article
Language:English
Published: Firenze University Press 2025-06-01
Series:Diciottesimo Secolo
Subjects:
Online Access:https://oajournals.fupress.net/index.php/ds/article/view/15474
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author Sutapa Dutta
author_facet Sutapa Dutta
author_sort Sutapa Dutta
collection DOAJ
description The paper examines both tangible and intangible materials that had a ritualistic value for Indians and once taken into the colonial market became objects of antiquity. The famous Koh-i-noor diamond was one such object which was a symbol of imperial sovereignty but once brought into the global market became a thing of antiquity. The meaning of certain objects change when moved from one place to another.  It is this cross-cultural global contact that gives things their new meanings, and in this context the essay also looks at the Hitopadesha, a text on morals and ethics, ‘the most popular story-book of India’ as Max Muller called it. It is in the process of getting transferred/translated/transformed that such antiquities acquired a new meaning. The essay brings out the complex and ambiguous imperial dynamics of appropriating, recreating and canonization of such tangible and intangible antiquities from India.
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spelling doaj-art-c4e68dc49ffe4b508f7ea875990db4612025-08-20T03:08:13ZengFirenze University PressDiciottesimo Secolo2531-41652025-06-01334810.36253/ds-1547414311From the Koh-i-noor to the Hitopadesha: Consumption of Indian Antiquities in the Colonial MarketSutapa Dutta0Gargi College, University of Delhi, IndiaThe paper examines both tangible and intangible materials that had a ritualistic value for Indians and once taken into the colonial market became objects of antiquity. The famous Koh-i-noor diamond was one such object which was a symbol of imperial sovereignty but once brought into the global market became a thing of antiquity. The meaning of certain objects change when moved from one place to another.  It is this cross-cultural global contact that gives things their new meanings, and in this context the essay also looks at the Hitopadesha, a text on morals and ethics, ‘the most popular story-book of India’ as Max Muller called it. It is in the process of getting transferred/translated/transformed that such antiquities acquired a new meaning. The essay brings out the complex and ambiguous imperial dynamics of appropriating, recreating and canonization of such tangible and intangible antiquities from India.https://oajournals.fupress.net/index.php/ds/article/view/15474 indian antiquitieskoh-i-noorhitopadeshacolonial market stendhal (henri beyle)
spellingShingle Sutapa Dutta
From the Koh-i-noor to the Hitopadesha: Consumption of Indian Antiquities in the Colonial Market
Diciottesimo Secolo
indian antiquities
koh-i-noor
hitopadesha
colonial market
stendhal (henri beyle)
title From the Koh-i-noor to the Hitopadesha: Consumption of Indian Antiquities in the Colonial Market
title_full From the Koh-i-noor to the Hitopadesha: Consumption of Indian Antiquities in the Colonial Market
title_fullStr From the Koh-i-noor to the Hitopadesha: Consumption of Indian Antiquities in the Colonial Market
title_full_unstemmed From the Koh-i-noor to the Hitopadesha: Consumption of Indian Antiquities in the Colonial Market
title_short From the Koh-i-noor to the Hitopadesha: Consumption of Indian Antiquities in the Colonial Market
title_sort from the koh i noor to the hitopadesha consumption of indian antiquities in the colonial market
topic indian antiquities
koh-i-noor
hitopadesha
colonial market
stendhal (henri beyle)
url https://oajournals.fupress.net/index.php/ds/article/view/15474
work_keys_str_mv AT sutapadutta fromthekohinoortothehitopadeshaconsumptionofindianantiquitiesinthecolonialmarket