Representasi Gender dalam Novel-Novel Bertema Islam Karya Pengarang Perempuan Muslim Indonesia: Analisis Postfeminisme

Literary works reflect the author's thoughts and the socio-cultural context of their time. This study aims to examine the representation of women and postfeminism in two Islamic-themed novels: Perempuan Berkalung Sorban by Abidah El Khalieqy and Ketika Mas Gagah Pergi by Helvy Tianna Rosa. Usin...

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Main Authors: Albertus Prasojo, Dwi Susanto
Format: Article
Language:English
Published: Universitas Udayana 2025-05-01
Series:Humanis
Online Access:https://ojs.unud.ac.id/index.php/sastra/article/view/116048
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author Albertus Prasojo
Dwi Susanto
author_facet Albertus Prasojo
Dwi Susanto
author_sort Albertus Prasojo
collection DOAJ
description Literary works reflect the author's thoughts and the socio-cultural context of their time. This study aims to examine the representation of women and postfeminism in two Islamic-themed novels: Perempuan Berkalung Sorban by Abidah El Khalieqy and Ketika Mas Gagah Pergi by Helvy Tianna Rosa. Using a qualitative method and postfeminist theory, the study analyzes how women are portrayed and how postfeminist values emerge. The findings reveal that in Perempuan Berkalung Sorban, women are depicted within the confines of a conservative Islamic boarding school life. In Ketika Mas Gagah Pergi, women are constrained by stereotypes of the ideal woman. Both novels illustrate postfeminist ideas through the female characters’ freedom to choose their own paths, highlighting autonomy and identity within an Islamic cultural context.
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spelling doaj-art-c4bf2f99913d43738ca97cf48b2ba9392025-08-20T03:07:01ZengUniversitas UdayanaHumanis2528-50762302-920X2025-05-0129225526710.24843/JH.2025.v29.i02.p10116048Representasi Gender dalam Novel-Novel Bertema Islam Karya Pengarang Perempuan Muslim Indonesia: Analisis PostfeminismeAlbertus Prasojo0Dwi Susanto1Unversitas Sebelas MaretUniversitas Sebelas MaretLiterary works reflect the author's thoughts and the socio-cultural context of their time. This study aims to examine the representation of women and postfeminism in two Islamic-themed novels: Perempuan Berkalung Sorban by Abidah El Khalieqy and Ketika Mas Gagah Pergi by Helvy Tianna Rosa. Using a qualitative method and postfeminist theory, the study analyzes how women are portrayed and how postfeminist values emerge. The findings reveal that in Perempuan Berkalung Sorban, women are depicted within the confines of a conservative Islamic boarding school life. In Ketika Mas Gagah Pergi, women are constrained by stereotypes of the ideal woman. Both novels illustrate postfeminist ideas through the female characters’ freedom to choose their own paths, highlighting autonomy and identity within an Islamic cultural context.https://ojs.unud.ac.id/index.php/sastra/article/view/116048
spellingShingle Albertus Prasojo
Dwi Susanto
Representasi Gender dalam Novel-Novel Bertema Islam Karya Pengarang Perempuan Muslim Indonesia: Analisis Postfeminisme
Humanis
title Representasi Gender dalam Novel-Novel Bertema Islam Karya Pengarang Perempuan Muslim Indonesia: Analisis Postfeminisme
title_full Representasi Gender dalam Novel-Novel Bertema Islam Karya Pengarang Perempuan Muslim Indonesia: Analisis Postfeminisme
title_fullStr Representasi Gender dalam Novel-Novel Bertema Islam Karya Pengarang Perempuan Muslim Indonesia: Analisis Postfeminisme
title_full_unstemmed Representasi Gender dalam Novel-Novel Bertema Islam Karya Pengarang Perempuan Muslim Indonesia: Analisis Postfeminisme
title_short Representasi Gender dalam Novel-Novel Bertema Islam Karya Pengarang Perempuan Muslim Indonesia: Analisis Postfeminisme
title_sort representasi gender dalam novel novel bertema islam karya pengarang perempuan muslim indonesia analisis postfeminisme
url https://ojs.unud.ac.id/index.php/sastra/article/view/116048
work_keys_str_mv AT albertusprasojo representasigenderdalamnovelnovelbertemaislamkaryapengarangperempuanmuslimindonesiaanalisispostfeminisme
AT dwisusanto representasigenderdalamnovelnovelbertemaislamkaryapengarangperempuanmuslimindonesiaanalisispostfeminisme