Le travail manuel en tant que conférence-performance et sa relation à la phénoménologie et l’écologie queer
In the first part of this text, we define performance-conference as an art form. The concept of performance-conference was examined by Tanya Bruguera. This concept implies that craft can constitute a political attitude. In the introduction, we show that traditional manual labor (through the symbolis...
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Univerzita Karlova, Filozofická Fakulta
2024-12-01
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| Series: | Svět Literatury |
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| Online Access: | https://svetliteratury.ff.cuni.cz/wp-content/uploads/sites/14/2024/12/Alzbeta_Kuchtova_-_Meltem_Yildiz_68-82.pdf |
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| _version_ | 1849716849262985216 |
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| author | Alžbeta Kuchtová Meltem Yildiz |
| author_facet | Alžbeta Kuchtová Meltem Yildiz |
| author_sort | Alžbeta Kuchtová |
| collection | DOAJ |
| description | In the first part of this text, we define performance-conference as an art form. The concept of performance-conference was examined by Tanya Bruguera. This concept implies that craft can constitute a political attitude. In the introduction, we show that traditional manual labor (through the symbolism of bread, harvest and sourdough) is used and appropriated by right-wing populist dis course in Slovakia. In the second part of this text, we weave a link between Husserlian phenomenology and Sara Ahmed’s queer phenomenology to propose a phenomenological analysis of sourdough. The sourdough is interpreted here as a queer bacterial community that reproduces itself. Finally, we arrive at Myra J. Hird’s concept of hyper-sex, which describes the reproduction of bacteria. The conclusion shows that the reproduction of bacteria (of sourdough) deconstructs the right-wing discourse of traditional heteronormative reproduction. We choose to describe sourdough as queer in order to protest against the compulsory castration of trans people and other forms of oppression of the queer community in Slovakia and the Czech Republic. In this sense, manual labor (the performance, the cook) here constitutes a foundation for political action — in reference to the craftivism movement (Betsy Greer, Kundy Crew). |
| format | Article |
| id | doaj-art-c4beb083ccfe499aa6a2f722c5d00fc4 |
| institution | DOAJ |
| issn | 0862-8440 2336-6729 |
| language | ces |
| publishDate | 2024-12-01 |
| publisher | Univerzita Karlova, Filozofická Fakulta |
| record_format | Article |
| series | Svět Literatury |
| spelling | doaj-art-c4beb083ccfe499aa6a2f722c5d00fc42025-08-20T03:12:51ZcesUniverzita Karlova, Filozofická FakultaSvět Literatury0862-84402336-67292024-12-0134SI6882https://doi.org/10.14712/23366729.2024.3.6Le travail manuel en tant que conférence-performance et sa relation à la phénoménologie et l’écologie queerAlžbeta Kuchtová0Meltem Yildiz1Académie slovaque des sciencesUniversité Paris 1 Panthéon-SorbonneIn the first part of this text, we define performance-conference as an art form. The concept of performance-conference was examined by Tanya Bruguera. This concept implies that craft can constitute a political attitude. In the introduction, we show that traditional manual labor (through the symbolism of bread, harvest and sourdough) is used and appropriated by right-wing populist dis course in Slovakia. In the second part of this text, we weave a link between Husserlian phenomenology and Sara Ahmed’s queer phenomenology to propose a phenomenological analysis of sourdough. The sourdough is interpreted here as a queer bacterial community that reproduces itself. Finally, we arrive at Myra J. Hird’s concept of hyper-sex, which describes the reproduction of bacteria. The conclusion shows that the reproduction of bacteria (of sourdough) deconstructs the right-wing discourse of traditional heteronormative reproduction. We choose to describe sourdough as queer in order to protest against the compulsory castration of trans people and other forms of oppression of the queer community in Slovakia and the Czech Republic. In this sense, manual labor (the performance, the cook) here constitutes a foundation for political action — in reference to the craftivism movement (Betsy Greer, Kundy Crew).https://svetliteratury.ff.cuni.cz/wp-content/uploads/sites/14/2024/12/Alzbeta_Kuchtova_-_Meltem_Yildiz_68-82.pdfcraftconference-performancebacteriasourdoughpoliticalqueer ecologyqueer phenomenology |
| spellingShingle | Alžbeta Kuchtová Meltem Yildiz Le travail manuel en tant que conférence-performance et sa relation à la phénoménologie et l’écologie queer Svět Literatury craft conference-performance bacteria sourdough political queer ecology queer phenomenology |
| title | Le travail manuel en tant que conférence-performance et sa relation à la phénoménologie et l’écologie queer |
| title_full | Le travail manuel en tant que conférence-performance et sa relation à la phénoménologie et l’écologie queer |
| title_fullStr | Le travail manuel en tant que conférence-performance et sa relation à la phénoménologie et l’écologie queer |
| title_full_unstemmed | Le travail manuel en tant que conférence-performance et sa relation à la phénoménologie et l’écologie queer |
| title_short | Le travail manuel en tant que conférence-performance et sa relation à la phénoménologie et l’écologie queer |
| title_sort | le travail manuel en tant que conference performance et sa relation a la phenomenologie et l ecologie queer |
| topic | craft conference-performance bacteria sourdough political queer ecology queer phenomenology |
| url | https://svetliteratury.ff.cuni.cz/wp-content/uploads/sites/14/2024/12/Alzbeta_Kuchtova_-_Meltem_Yildiz_68-82.pdf |
| work_keys_str_mv | AT alzbetakuchtova letravailmanuelentantqueconferenceperformanceetsarelationalaphenomenologieetlecologiequeer AT meltemyildiz letravailmanuelentantqueconferenceperformanceetsarelationalaphenomenologieetlecologiequeer |