E-ART: FRAGMENTATION AND ASSEMBLY
Electronic writing here is analysed through the two conditions set by the Russian linguist Roman Jakobson: in order to be that the electronic language must be able to speak of itself and to create its own aesthetic effects. Inspired by the work of Talan Memmott Self Portrait(s) [as other(s)] metalin...
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| Format: | Article |
| Language: | Spanish |
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Universidade Federal de Santa Catarina
2015-12-01
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| Series: | Texto Digital |
| Online Access: | https://periodicos.ufsc.br/index.php/textodigital/article/view/41369 |
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| _version_ | 1850264000461275136 |
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| author | Alessandro Zinna |
| author_facet | Alessandro Zinna |
| author_sort | Alessandro Zinna |
| collection | DOAJ |
| description | Electronic writing here is analysed through the two conditions set by the Russian linguist Roman Jakobson: in order to be that the electronic language must be able to speak of itself and to create its own aesthetic effects. Inspired by the work of Talan Memmott Self Portrait(s) [as other(s)] metalinguistic and aesthetic traits are read on the background of the evolution of art. From the properties of the plan, the practice, and the value the changes and trends in electronic art are reconstructed. The article concludes by adding a third condition which specifies those set from Jakobson: the untranslatability of aesthetic effects in the languages of art.
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| format | Article |
| id | doaj-art-c44ac63d532e4d4ca77557e45a4bca30 |
| institution | OA Journals |
| issn | 1807-9288 |
| language | Spanish |
| publishDate | 2015-12-01 |
| publisher | Universidade Federal de Santa Catarina |
| record_format | Article |
| series | Texto Digital |
| spelling | doaj-art-c44ac63d532e4d4ca77557e45a4bca302025-08-20T01:54:50ZspaUniversidade Federal de Santa CatarinaTexto Digital1807-92882015-12-0111210.5007/1807-9288.2015v11n2p3524784E-ART: FRAGMENTATION AND ASSEMBLYAlessandro Zinna0Médiations-Sémiotiques-LERASS, Université Toulousa II – Jean Jaurès, Toulouse, FranceElectronic writing here is analysed through the two conditions set by the Russian linguist Roman Jakobson: in order to be that the electronic language must be able to speak of itself and to create its own aesthetic effects. Inspired by the work of Talan Memmott Self Portrait(s) [as other(s)] metalinguistic and aesthetic traits are read on the background of the evolution of art. From the properties of the plan, the practice, and the value the changes and trends in electronic art are reconstructed. The article concludes by adding a third condition which specifies those set from Jakobson: the untranslatability of aesthetic effects in the languages of art. https://periodicos.ufsc.br/index.php/textodigital/article/view/41369 |
| spellingShingle | Alessandro Zinna E-ART: FRAGMENTATION AND ASSEMBLY Texto Digital |
| title | E-ART: FRAGMENTATION AND ASSEMBLY |
| title_full | E-ART: FRAGMENTATION AND ASSEMBLY |
| title_fullStr | E-ART: FRAGMENTATION AND ASSEMBLY |
| title_full_unstemmed | E-ART: FRAGMENTATION AND ASSEMBLY |
| title_short | E-ART: FRAGMENTATION AND ASSEMBLY |
| title_sort | e art fragmentation and assembly |
| url | https://periodicos.ufsc.br/index.php/textodigital/article/view/41369 |
| work_keys_str_mv | AT alessandrozinna eartfragmentationandassembly |