Pizarnik y el cine: películas parisinas de 1960-1964 en sus Diarios
The article intends to analyse the relationship between Pizarnik and the cinema recorded in her diary during the Parisian years. Our interest is to demonstrate that Pizarnik's audiovisual conversation is born from a utopian asymmetry, since the films stir up desire and allow the self to want to...
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| Format: | Article |
| Language: | Spanish |
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Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata
2023-05-01
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| Series: | Cuadernos LIRICO |
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| Online Access: | https://journals.openedition.org/lirico/14396 |
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| _version_ | 1846091198390861824 |
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| author | Santiago Hamelau |
| author_facet | Santiago Hamelau |
| author_sort | Santiago Hamelau |
| collection | DOAJ |
| description | The article intends to analyse the relationship between Pizarnik and the cinema recorded in her diary during the Parisian years. Our interest is to demonstrate that Pizarnik's audiovisual conversation is born from a utopian asymmetry, since the films stir up desire and allow the self to want to be what it is not. At the opposite pole, the external world and the body will pin the voice to the present, driving her away from the utopian place while increasing the gravitational force of the ideal. |
| format | Article |
| id | doaj-art-c44783db3a114a9e99f8c16cf6ee5e30 |
| institution | Kabale University |
| issn | 2262-8339 |
| language | Spanish |
| publishDate | 2023-05-01 |
| publisher | Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata |
| record_format | Article |
| series | Cuadernos LIRICO |
| spelling | doaj-art-c44783db3a114a9e99f8c16cf6ee5e302025-01-10T13:07:57ZspaRéseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la PlataCuadernos LIRICO2262-83392023-05-0110.4000/lirico.14396Pizarnik y el cine: películas parisinas de 1960-1964 en sus DiariosSantiago HamelauThe article intends to analyse the relationship between Pizarnik and the cinema recorded in her diary during the Parisian years. Our interest is to demonstrate that Pizarnik's audiovisual conversation is born from a utopian asymmetry, since the films stir up desire and allow the self to want to be what it is not. At the opposite pole, the external world and the body will pin the voice to the present, driving her away from the utopian place while increasing the gravitational force of the ideal.https://journals.openedition.org/lirico/14396ParisPizarnikutopiacinemajournals |
| spellingShingle | Santiago Hamelau Pizarnik y el cine: películas parisinas de 1960-1964 en sus Diarios Cuadernos LIRICO Paris Pizarnik utopia cinema journals |
| title | Pizarnik y el cine: películas parisinas de 1960-1964 en sus Diarios |
| title_full | Pizarnik y el cine: películas parisinas de 1960-1964 en sus Diarios |
| title_fullStr | Pizarnik y el cine: películas parisinas de 1960-1964 en sus Diarios |
| title_full_unstemmed | Pizarnik y el cine: películas parisinas de 1960-1964 en sus Diarios |
| title_short | Pizarnik y el cine: películas parisinas de 1960-1964 en sus Diarios |
| title_sort | pizarnik y el cine peliculas parisinas de 1960 1964 en sus diarios |
| topic | Paris Pizarnik utopia cinema journals |
| url | https://journals.openedition.org/lirico/14396 |
| work_keys_str_mv | AT santiagohamelau pizarnikyelcinepeliculasparisinasde19601964ensusdiarios |