La part de la fiction. A propos de quelques documentaires argentins
This paper describes the argentinian documentary production since the beginning of XXIth centuy, insisting on some hybrid films. The usual differences between fiction and documentary are questionned by three kinds of films. The first one is about a special kind of portraits, made on some men leaving...
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| Format: | Article |
| Language: | Spanish |
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Presses universitaires du Midi
2009-06-01
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| Series: | Caravelle |
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| Online Access: | https://journals.openedition.org/caravelle/9899 |
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| author | Joaquín Manzi |
| author_facet | Joaquín Manzi |
| author_sort | Joaquín Manzi |
| collection | DOAJ |
| description | This paper describes the argentinian documentary production since the beginning of XXIth centuy, insisting on some hybrid films. The usual differences between fiction and documentary are questionned by three kinds of films. The first one is about a special kind of portraits, made on some men leaving in margins of the great city, those presented in F. León’s & M. Martínez’s Estrellas (2007), P. Trapero’s Naikor (2001), and U. Rossel’s Bonanza (2001). The second one is self personnal story assumed by two missing’s sons : A. Carri’s Los rubios (2003), and N. Prividera’s M (2007). The last one is about two artists on their diary work, Ricardo Longhini’s in Espejo para cuando me pruebe un smoking, by A. Fernández Mouján (2005), and Edgardo Cozarinsky’s, in Meykinof, by C. Guarini (2005). |
| format | Article |
| id | doaj-art-c363ece279d742758d03f53cd21dd236 |
| institution | Kabale University |
| issn | 1147-6753 2272-9828 |
| language | Spanish |
| publishDate | 2009-06-01 |
| publisher | Presses universitaires du Midi |
| record_format | Article |
| series | Caravelle |
| spelling | doaj-art-c363ece279d742758d03f53cd21dd2362025-01-09T16:14:04ZspaPresses universitaires du MidiCaravelle1147-67532272-98282009-06-0192133710.4000/caravelle.9899La part de la fiction. A propos de quelques documentaires argentinsJoaquín ManziThis paper describes the argentinian documentary production since the beginning of XXIth centuy, insisting on some hybrid films. The usual differences between fiction and documentary are questionned by three kinds of films. The first one is about a special kind of portraits, made on some men leaving in margins of the great city, those presented in F. León’s & M. Martínez’s Estrellas (2007), P. Trapero’s Naikor (2001), and U. Rossel’s Bonanza (2001). The second one is self personnal story assumed by two missing’s sons : A. Carri’s Los rubios (2003), and N. Prividera’s M (2007). The last one is about two artists on their diary work, Ricardo Longhini’s in Espejo para cuando me pruebe un smoking, by A. Fernández Mouján (2005), and Edgardo Cozarinsky’s, in Meykinof, by C. Guarini (2005).https://journals.openedition.org/caravelle/9899Argentinefictiondocumentairecrisegenres cinématographiques |
| spellingShingle | Joaquín Manzi La part de la fiction. A propos de quelques documentaires argentins Caravelle Argentine fiction documentaire crise genres cinématographiques |
| title | La part de la fiction. A propos de quelques documentaires argentins |
| title_full | La part de la fiction. A propos de quelques documentaires argentins |
| title_fullStr | La part de la fiction. A propos de quelques documentaires argentins |
| title_full_unstemmed | La part de la fiction. A propos de quelques documentaires argentins |
| title_short | La part de la fiction. A propos de quelques documentaires argentins |
| title_sort | la part de la fiction a propos de quelques documentaires argentins |
| topic | Argentine fiction documentaire crise genres cinématographiques |
| url | https://journals.openedition.org/caravelle/9899 |
| work_keys_str_mv | AT joaquinmanzi lapartdelafictionaproposdequelquesdocumentairesargentins |