Ars Demones *2022* Manifesto
Ars Daemones is a manifesto that responds, problematises and encounters conditions and implications of the practice of technologies of spirit as specified in the Ars Industrialis’ two manifesto written by B. Stiegler in 2005 and 2010. Most importantly, the present manifesto focuses on the question...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
TU Delft OPEN Publishing
2022-07-01
|
| Series: | Footprint |
| Online Access: | https://journals.open.tudelft.nl/footprint/article/view/5974 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1832552942506344448 |
|---|---|
| author | Agnieszka Anna Wołodźko |
| author_facet | Agnieszka Anna Wołodźko |
| author_sort | Agnieszka Anna Wołodźko |
| collection | DOAJ |
| description |
Ars Daemones is a manifesto that responds, problematises and encounters conditions and implications of the practice of technologies of spirit as specified in the Ars Industrialis’ two manifesto written by B. Stiegler in 2005 and 2010. Most importantly, the present manifesto focuses on the question of possible conditions and material implications of practice that Stiegler framed within his word of mystagogy. Here, the mystagogy as a knowledge that escapes capture, that demands “contexts, milieus, practices, gestures, rituals, and technologies” is defined as demonology, following G. Deleuze, where both, mystagogy and demonology, call for condition of relationality, movement and an embodied experience. For Stiegler, the knowledge of mystagogy, because of its risky and excessive character, enables to learn and practice care, and it is through the work of art that we can experience of what degrees of care such an excess of another plane need. Through fables of three bodies as experienced through the work of three artists, Ars Daemones will braid material narratives of care. The selection of the three artists, is contaminated by each other by the common question of the risk of care looking for practices of knowledges that rather than survive, would enable to thrive. The manifesto is thus written through the experience of vegetariat present in the work of Špela Petrič, through transbodies and xenologies in space present in the work of Adriana Knouf and through the practice of virophilia in the work of Pei-Ying Lin. Ars Daemones fabulates while experiencing the practices of “I” that is already contaminated and contaminating.
|
| format | Article |
| id | doaj-art-c2cc81e45c834baf8647418b759141e6 |
| institution | Kabale University |
| issn | 1875-1504 1875-1490 |
| language | English |
| publishDate | 2022-07-01 |
| publisher | TU Delft OPEN Publishing |
| record_format | Article |
| series | Footprint |
| spelling | doaj-art-c2cc81e45c834baf8647418b759141e62025-02-03T05:57:28ZengTU Delft OPEN PublishingFootprint1875-15041875-14902022-07-0116110.7480/footprint.16.1.5974Ars Demones *2022* ManifestoAgnieszka Anna Wołodźko Ars Daemones is a manifesto that responds, problematises and encounters conditions and implications of the practice of technologies of spirit as specified in the Ars Industrialis’ two manifesto written by B. Stiegler in 2005 and 2010. Most importantly, the present manifesto focuses on the question of possible conditions and material implications of practice that Stiegler framed within his word of mystagogy. Here, the mystagogy as a knowledge that escapes capture, that demands “contexts, milieus, practices, gestures, rituals, and technologies” is defined as demonology, following G. Deleuze, where both, mystagogy and demonology, call for condition of relationality, movement and an embodied experience. For Stiegler, the knowledge of mystagogy, because of its risky and excessive character, enables to learn and practice care, and it is through the work of art that we can experience of what degrees of care such an excess of another plane need. Through fables of three bodies as experienced through the work of three artists, Ars Daemones will braid material narratives of care. The selection of the three artists, is contaminated by each other by the common question of the risk of care looking for practices of knowledges that rather than survive, would enable to thrive. The manifesto is thus written through the experience of vegetariat present in the work of Špela Petrič, through transbodies and xenologies in space present in the work of Adriana Knouf and through the practice of virophilia in the work of Pei-Ying Lin. Ars Daemones fabulates while experiencing the practices of “I” that is already contaminated and contaminating. https://journals.open.tudelft.nl/footprint/article/view/5974 |
| spellingShingle | Agnieszka Anna Wołodźko Ars Demones *2022* Manifesto Footprint |
| title | Ars Demones *2022* Manifesto |
| title_full | Ars Demones *2022* Manifesto |
| title_fullStr | Ars Demones *2022* Manifesto |
| title_full_unstemmed | Ars Demones *2022* Manifesto |
| title_short | Ars Demones *2022* Manifesto |
| title_sort | ars demones 2022 manifesto |
| url | https://journals.open.tudelft.nl/footprint/article/view/5974 |
| work_keys_str_mv | AT agnieszkaannawołodzko arsdemones2022manifesto |