Audiovisual narratives of the Sami people at the beginnings of the Eurovision Song Contest (1960–1980)
Held annually since 1956 and attracting the continuing participation of most European countries, the Eurovision Song Contest (ESC) is usually defined as the audiovisual counterpart to the contemporary history of the continent. Regarding this issue, the narratives incorporated into the performances b...
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| Main Author: | José Luis Panea |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Taylor & Francis Group
2025-12-01
|
| Series: | Cogent Arts & Humanities |
| Subjects: | |
| Online Access: | https://www.tandfonline.com/doi/10.1080/23311983.2025.2464370 |
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