Emptiness as a Project

This article aims to shed light on Warsaw’s urban design traditions based on expertise in passive landscape solutions as tested in local conditions. It focuses on the work of designers originating from the Greenery Studio of the Warsaw Reconstruction Office (BOS) from the 1940s to the 1990s. The stu...

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Main Authors: Małgorzata Kuciewicz, Simone De Iacobis
Format: Article
Language:English
Published: Rosenberg & Sellier 2023-12-01
Series:Ardeth
Subjects:
Online Access:https://journals.openedition.org/ardeth/4383
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author Małgorzata Kuciewicz
Simone De Iacobis
author_facet Małgorzata Kuciewicz
Simone De Iacobis
author_sort Małgorzata Kuciewicz
collection DOAJ
description This article aims to shed light on Warsaw’s urban design traditions based on expertise in passive landscape solutions as tested in local conditions. It focuses on the work of designers originating from the Greenery Studio of the Warsaw Reconstruction Office (BOS) from the 1940s to the 1990s. The studio’s designs relied on open space arrangements and the urban microclimate component was treated as equal in importance to buildings.Planned in a modern way, drawing on the principles of the Athens Charter of 1933, Warsaw’s reconstructed urban structure can be approached today not with a focus on hygiene, but in terms of thermal comfort. Post-war solutions demonstrate that empty urban spaces can be designed to prepare the city for the increasingly felt effects of climate warming and extreme meteorological phenomena. Warsaw’s public space and housing estate common spaces ought to serve as areas that readily accommodate microclimates and thus become of benefit to the society. Last but not least, this approach may reduce the number of AC units installed in the city.
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institution DOAJ
issn 2532-6457
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language English
publishDate 2023-12-01
publisher Rosenberg & Sellier
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spelling doaj-art-c106d784db934a2198f15b856d544cc72025-08-20T03:15:29ZengRosenberg & SellierArdeth2532-64572611-934X2023-12-0113161175Emptiness as a ProjectMałgorzata KuciewiczSimone De IacobisThis article aims to shed light on Warsaw’s urban design traditions based on expertise in passive landscape solutions as tested in local conditions. It focuses on the work of designers originating from the Greenery Studio of the Warsaw Reconstruction Office (BOS) from the 1940s to the 1990s. The studio’s designs relied on open space arrangements and the urban microclimate component was treated as equal in importance to buildings.Planned in a modern way, drawing on the principles of the Athens Charter of 1933, Warsaw’s reconstructed urban structure can be approached today not with a focus on hygiene, but in terms of thermal comfort. Post-war solutions demonstrate that empty urban spaces can be designed to prepare the city for the increasingly felt effects of climate warming and extreme meteorological phenomena. Warsaw’s public space and housing estate common spaces ought to serve as areas that readily accommodate microclimates and thus become of benefit to the society. Last but not least, this approach may reduce the number of AC units installed in the city.https://journals.openedition.org/ardeth/4383open cityscapeartisanal microclimateslandscape continuityweather types
spellingShingle Małgorzata Kuciewicz
Simone De Iacobis
Emptiness as a Project
Ardeth
open cityscape
artisanal microclimates
landscape continuity
weather types
title Emptiness as a Project
title_full Emptiness as a Project
title_fullStr Emptiness as a Project
title_full_unstemmed Emptiness as a Project
title_short Emptiness as a Project
title_sort emptiness as a project
topic open cityscape
artisanal microclimates
landscape continuity
weather types
url https://journals.openedition.org/ardeth/4383
work_keys_str_mv AT małgorzatakuciewicz emptinessasaproject
AT simonedeiacobis emptinessasaproject