Eclectic Approaches, Influences, and Stylistic Parallels in Paul Hindemith’s Sonata for Two Pianos
This article will focus on Paul Hindemith’s Sonata for Two Pianos and attempt to exemplify its eclectic approaches as well as technical and stylistic parallels and influences, both from the piece’s past and future. Examples that predate the piece do not necessarily mean they are direct references bu...
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| Format: | Article |
| Language: | English |
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Istanbul University Press
2022-12-01
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| Series: | Konservatoryum |
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| Online Access: | https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/4DE61AD493AC475A86FC672E8A780443 |
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| author | Çağla Coker |
| author_facet | Çağla Coker |
| author_sort | Çağla Coker |
| collection | DOAJ |
| description | This article will focus on Paul Hindemith’s Sonata for Two Pianos and attempt to exemplify its eclectic approaches as well as technical and stylistic parallels and influences, both from the piece’s past and future. Examples that predate the piece do not necessarily mean they are direct references but should be perceived as having common ancestors, much like how Darwinian evolution trees are understood, and examples that postdate the piece do not necessarily mean they have been directly influenced but rather that the original work foreshadowed certain concepts that were meant to appear in due time. Although Hindemith was one of the most important and prolific composers of the 20th century, his works did not receive as much attention from many musicologists and performers as his contemporaries. The purpose of this article is to renew interest in Sonata for Two Pianos, which deserves to have a significant high standing in the piano repertoire. Paul Hindemith’s Sonata for Two Pianos should be considered as a piece that should be played more frequently in piano recitals and studied more deeply by musicologists. In addition, Hindemith’s eclectic compositional approach in his works needs to be examined thoroughly. This article uses the methods of qualitative analysis and comparative analysis on the works before and after Hindemith’s Sonata for Two Pianos in addition to a score analysis. |
| format | Article |
| id | doaj-art-c0655883cffb4c9f928129c9a2c851eb |
| institution | OA Journals |
| issn | 2618-5695 |
| language | English |
| publishDate | 2022-12-01 |
| publisher | Istanbul University Press |
| record_format | Article |
| series | Konservatoryum |
| spelling | doaj-art-c0655883cffb4c9f928129c9a2c851eb2025-08-20T02:27:16ZengIstanbul University PressKonservatoryum2618-56952022-12-019228330410.26650/CONS2022-1175334123456Eclectic Approaches, Influences, and Stylistic Parallels in Paul Hindemith’s Sonata for Two PianosÇağla Coker0https://orcid.org/0000-0002-9164-2791İstanbul Teknik Üniversitesi, İstanbul, TürkiyeThis article will focus on Paul Hindemith’s Sonata for Two Pianos and attempt to exemplify its eclectic approaches as well as technical and stylistic parallels and influences, both from the piece’s past and future. Examples that predate the piece do not necessarily mean they are direct references but should be perceived as having common ancestors, much like how Darwinian evolution trees are understood, and examples that postdate the piece do not necessarily mean they have been directly influenced but rather that the original work foreshadowed certain concepts that were meant to appear in due time. Although Hindemith was one of the most important and prolific composers of the 20th century, his works did not receive as much attention from many musicologists and performers as his contemporaries. The purpose of this article is to renew interest in Sonata for Two Pianos, which deserves to have a significant high standing in the piano repertoire. Paul Hindemith’s Sonata for Two Pianos should be considered as a piece that should be played more frequently in piano recitals and studied more deeply by musicologists. In addition, Hindemith’s eclectic compositional approach in his works needs to be examined thoroughly. This article uses the methods of qualitative analysis and comparative analysis on the works before and after Hindemith’s Sonata for Two Pianos in addition to a score analysis.https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/4DE61AD493AC475A86FC672E8A780443paul hindemitheclecticismbaroque influences |
| spellingShingle | Çağla Coker Eclectic Approaches, Influences, and Stylistic Parallels in Paul Hindemith’s Sonata for Two Pianos Konservatoryum paul hindemith eclecticism baroque influences |
| title | Eclectic Approaches, Influences, and Stylistic Parallels in Paul Hindemith’s Sonata for Two Pianos |
| title_full | Eclectic Approaches, Influences, and Stylistic Parallels in Paul Hindemith’s Sonata for Two Pianos |
| title_fullStr | Eclectic Approaches, Influences, and Stylistic Parallels in Paul Hindemith’s Sonata for Two Pianos |
| title_full_unstemmed | Eclectic Approaches, Influences, and Stylistic Parallels in Paul Hindemith’s Sonata for Two Pianos |
| title_short | Eclectic Approaches, Influences, and Stylistic Parallels in Paul Hindemith’s Sonata for Two Pianos |
| title_sort | eclectic approaches influences and stylistic parallels in paul hindemith s sonata for two pianos |
| topic | paul hindemith eclecticism baroque influences |
| url | https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/4DE61AD493AC475A86FC672E8A780443 |
| work_keys_str_mv | AT caglacoker eclecticapproachesinfluencesandstylisticparallelsinpaulhindemithssonatafortwopianos |