Un Louvre pour les artistes vivants ? Modalités d’appropriation du musée par et pour les artistes du xixe siècle
Since its founding, in 1793, the Musée du Louvre accorded an important place to the art of the period: artists lived there until 1848, worked there as copyists during the entire nineteenth century and presented their work regularly in the rooms of the museum. Despite their gradual exclusion from the...
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| Format: | Article |
| Language: | fra |
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École du Louvre
2017-10-01
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| Series: | Les Cahiers de l'École du Louvre |
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| Online Access: | https://journals.openedition.org/cel/684 |
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| author | Claire Dupin de Beyssat |
| author_facet | Claire Dupin de Beyssat |
| author_sort | Claire Dupin de Beyssat |
| collection | DOAJ |
| description | Since its founding, in 1793, the Musée du Louvre accorded an important place to the art of the period: artists lived there until 1848, worked there as copyists during the entire nineteenth century and presented their work regularly in the rooms of the museum. Despite their gradual exclusion from the picture rails of the Louvre, living artists – an expression that was omnipresent during this period – would, throughout the nineteenth century, appropriate the Louvre: its space, its museographical organisation and its ambitions. By studying three distinct phenomena, which more or less follow the career of a nineteenth-century artist, it clearly appears that the Louvre, even when it did not really contain works of its period, remains a model systematically cited by institutions for art education, diffusion and legitimation. |
| format | Article |
| id | doaj-art-c0122942b87f42c18a4428cdd03a76fb |
| institution | Kabale University |
| issn | 2262-208X |
| language | fra |
| publishDate | 2017-10-01 |
| publisher | École du Louvre |
| record_format | Article |
| series | Les Cahiers de l'École du Louvre |
| spelling | doaj-art-c0122942b87f42c18a4428cdd03a76fb2025-01-30T14:00:04ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2017-10-011110.4000/cel.684Un Louvre pour les artistes vivants ? Modalités d’appropriation du musée par et pour les artistes du xixe siècleClaire Dupin de BeyssatSince its founding, in 1793, the Musée du Louvre accorded an important place to the art of the period: artists lived there until 1848, worked there as copyists during the entire nineteenth century and presented their work regularly in the rooms of the museum. Despite their gradual exclusion from the picture rails of the Louvre, living artists – an expression that was omnipresent during this period – would, throughout the nineteenth century, appropriate the Louvre: its space, its museographical organisation and its ambitions. By studying three distinct phenomena, which more or less follow the career of a nineteenth-century artist, it clearly appears that the Louvre, even when it did not really contain works of its period, remains a model systematically cited by institutions for art education, diffusion and legitimation.https://journals.openedition.org/cel/684musée du Louvreappropriationartistic educationÉcole des beaux-artscopiesexposition |
| spellingShingle | Claire Dupin de Beyssat Un Louvre pour les artistes vivants ? Modalités d’appropriation du musée par et pour les artistes du xixe siècle Les Cahiers de l'École du Louvre musée du Louvre appropriation artistic education École des beaux-arts copies exposition |
| title | Un Louvre pour les artistes vivants ? Modalités d’appropriation du musée par et pour les artistes du xixe siècle |
| title_full | Un Louvre pour les artistes vivants ? Modalités d’appropriation du musée par et pour les artistes du xixe siècle |
| title_fullStr | Un Louvre pour les artistes vivants ? Modalités d’appropriation du musée par et pour les artistes du xixe siècle |
| title_full_unstemmed | Un Louvre pour les artistes vivants ? Modalités d’appropriation du musée par et pour les artistes du xixe siècle |
| title_short | Un Louvre pour les artistes vivants ? Modalités d’appropriation du musée par et pour les artistes du xixe siècle |
| title_sort | un louvre pour les artistes vivants modalites d appropriation du musee par et pour les artistes du xixe siecle |
| topic | musée du Louvre appropriation artistic education École des beaux-arts copies exposition |
| url | https://journals.openedition.org/cel/684 |
| work_keys_str_mv | AT clairedupindebeyssat unlouvrepourlesartistesvivantsmodalitesdappropriationdumuseeparetpourlesartistesduxixesiecle |