The triumphal cross of the cathedral of Nevers: painting technique and examination

The large polychrome wooden cross preserved in the Saint-Cyr et Sainte-Julitte cathedral in Nevers was badly damaged during the bombing in July 1944. Restored and put on display on a modern cross in front of the choir, the sculpture suffered a new fall in 2015. The conservation of the work, directed...

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Main Authors: Nadia Bertoni Cren, Stéphane Cren
Format: Article
Language:deu
Published: Instituto de Estudos Medievais 2019-06-01
Series:Medievalista
Subjects:
Online Access:https://journals.openedition.org/medievalista/2321
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author Nadia Bertoni Cren
Stéphane Cren
author_facet Nadia Bertoni Cren
Stéphane Cren
author_sort Nadia Bertoni Cren
collection DOAJ
description The large polychrome wooden cross preserved in the Saint-Cyr et Sainte-Julitte cathedral in Nevers was badly damaged during the bombing in July 1944. Restored and put on display on a modern cross in front of the choir, the sculpture suffered a new fall in 2015. The conservation of the work, directed by DRAC-CRMH of Burgundy-Franche-Comté, was preceded by a phase of technical study. Micro-stratigraphic, taxonomic and radiometric analyses and the dendrochronology of the cross were carried out. The dendrochronology of the cross of Nevers and the comparison with radiocarbon dating place the elaboration of the work in the last quarter of the 12th century while confirming the contemporaneousness of the cross with the sculpture. The quality of the triumphal cross of Nevers is highlighted even more by this dating which testifies to the richness of the formal contributions in Burgundy in the 12th century.
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publisher Instituto de Estudos Medievais
record_format Article
series Medievalista
spelling doaj-art-bfdd12b1dfb14d4b8e0b082d284d24372025-01-30T10:52:19ZdeuInstituto de Estudos MedievaisMedievalista1646-740X2019-06-012610.4000/medievalista.2321The triumphal cross of the cathedral of Nevers: painting technique and examinationNadia Bertoni CrenStéphane CrenThe large polychrome wooden cross preserved in the Saint-Cyr et Sainte-Julitte cathedral in Nevers was badly damaged during the bombing in July 1944. Restored and put on display on a modern cross in front of the choir, the sculpture suffered a new fall in 2015. The conservation of the work, directed by DRAC-CRMH of Burgundy-Franche-Comté, was preceded by a phase of technical study. Micro-stratigraphic, taxonomic and radiometric analyses and the dendrochronology of the cross were carried out. The dendrochronology of the cross of Nevers and the comparison with radiocarbon dating place the elaboration of the work in the last quarter of the 12th century while confirming the contemporaneousness of the cross with the sculpture. The quality of the triumphal cross of Nevers is highlighted even more by this dating which testifies to the richness of the formal contributions in Burgundy in the 12th century.https://journals.openedition.org/medievalista/2321SculpturePolychromyWooden crossWalnutAzurite
spellingShingle Nadia Bertoni Cren
Stéphane Cren
The triumphal cross of the cathedral of Nevers: painting technique and examination
Medievalista
Sculpture
Polychromy
Wooden cross
Walnut
Azurite
title The triumphal cross of the cathedral of Nevers: painting technique and examination
title_full The triumphal cross of the cathedral of Nevers: painting technique and examination
title_fullStr The triumphal cross of the cathedral of Nevers: painting technique and examination
title_full_unstemmed The triumphal cross of the cathedral of Nevers: painting technique and examination
title_short The triumphal cross of the cathedral of Nevers: painting technique and examination
title_sort triumphal cross of the cathedral of nevers painting technique and examination
topic Sculpture
Polychromy
Wooden cross
Walnut
Azurite
url https://journals.openedition.org/medievalista/2321
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