From Postdramatic Heterogeneity to New Reflections on Noise: The House of Extreme Music Theater and the Schachtophonia Accenni for Kamov
Performative methodology of the House of Extreme Music Theater led by Croatian, Zagreb-based performing artists Damir Bartol Indoš and Tanja Vrvilo is largely based on the creation, recycling and abundant use of sound objects, deconstruction of voice and text, and collaborations with alternative roc...
Saved in:
| Main Author: | Anamarija Žugić Borić |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Central European University, Budapest
2022-12-01
|
| Series: | Pulse |
| Subjects: | |
| Online Access: | https://doi.org/10.5281/zenodo.10547257 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
The evolution of historical forms of chinese theater and integration of visual arts
by: HAN LIN
Published: (2025-01-01) -
Operation Theater Sterilization and Modular Operation Theater
by: Richa Gupta, et al.
Published: (2023-07-01) -
The Postdramatic Structure of Müller’s The Hamlet Machine
by: Mustafa Çalışkan
Published: (2022-12-01) -
NEW ACT ON THEATERS DE LEGE LATA AND DE LEGE FERENDA
by: Dragan Zlatović
Published: (2023-07-01) -
Political Theater or Making Theater Political? Brecht’s Influence on Contemporary German-Language Theatre
by: Andreas Englhart
Published: (2022-06-01)