Andrea Casale. Forme della percezione, dal pensiero all’immagine. Milano: Franco Angeli 2018
“To perceive a visual image implies the beholder’s participation in a process of organization. The experience of an image is thus a creative act of integration” (Kepes 1971, p. 17). Thus wrote Gyorgy Kepes in the introduction to his fundamental Language of Vision, to which the fine essay by Andrea...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
UID
2019-06-01
|
| Series: | Diségno |
| Online Access: | https://disegno.unioneitalianadisegno.it/index.php/disegno/article/view/71 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1832540915562971136 |
|---|---|
| author | Alessandra Cirafici |
| author_facet | Alessandra Cirafici |
| author_sort | Alessandra Cirafici |
| collection | DOAJ |
| description |
“To perceive a visual image implies the beholder’s participation in a process of organization. The experience of an image is thus a creative act of integration” (Kepes 1971, p. 17). Thus wrote Gyorgy Kepes in the introduction to his fundamental Language of Vision, to which the fine essay by Andrea Casale, that we present here, certainly owes the clarity of the approach used to examine the theme of the image, not in itself, but as a process, as an act of a discipline of organization of which vision, perception and memory are the protagonists
|
| format | Article |
| id | doaj-art-bf826c8367ef4351971dae742276f8db |
| institution | Kabale University |
| issn | 2533-2899 |
| language | English |
| publishDate | 2019-06-01 |
| publisher | UID |
| record_format | Article |
| series | Diségno |
| spelling | doaj-art-bf826c8367ef4351971dae742276f8db2025-02-04T13:04:07ZengUIDDiségno2533-28992019-06-0114Andrea Casale. Forme della percezione, dal pensiero all’immagine. Milano: Franco Angeli 2018Alessandra Cirafici 0Department of Architecture and Industrial Design, University of Campania “Luigi Vanvitelli,” , alessandra.cirafici@unicampania.it “To perceive a visual image implies the beholder’s participation in a process of organization. The experience of an image is thus a creative act of integration” (Kepes 1971, p. 17). Thus wrote Gyorgy Kepes in the introduction to his fundamental Language of Vision, to which the fine essay by Andrea Casale, that we present here, certainly owes the clarity of the approach used to examine the theme of the image, not in itself, but as a process, as an act of a discipline of organization of which vision, perception and memory are the protagonists https://disegno.unioneitalianadisegno.it/index.php/disegno/article/view/71 |
| spellingShingle | Alessandra Cirafici Andrea Casale. Forme della percezione, dal pensiero all’immagine. Milano: Franco Angeli 2018 Diségno |
| title | Andrea Casale. Forme della percezione, dal pensiero all’immagine. Milano: Franco Angeli 2018 |
| title_full | Andrea Casale. Forme della percezione, dal pensiero all’immagine. Milano: Franco Angeli 2018 |
| title_fullStr | Andrea Casale. Forme della percezione, dal pensiero all’immagine. Milano: Franco Angeli 2018 |
| title_full_unstemmed | Andrea Casale. Forme della percezione, dal pensiero all’immagine. Milano: Franco Angeli 2018 |
| title_short | Andrea Casale. Forme della percezione, dal pensiero all’immagine. Milano: Franco Angeli 2018 |
| title_sort | andrea casale forme della percezione dal pensiero all immagine milano franco angeli 2018 |
| url | https://disegno.unioneitalianadisegno.it/index.php/disegno/article/view/71 |
| work_keys_str_mv | AT alessandracirafici andreacasaleformedellapercezionedalpensieroallimmaginemilanofrancoangeli2018 |